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MAC started in 2011 from an idea of Paolo Mazzucchelli with the aim of offering services related to the modern and contemporary art market and in particular of advising on financial investments in art.

MAC addresses to private collectors, foundations and banks with the purpose of following them at first before buying a work of art to inform, advise and protect them against potential fraud, and also later in order to increase the value of the investments and facilitate their management.

MAC deals with the organization of exhibitions and events on its spaces in the center of Milan related to the most promising between the emerging artists and the major modern and contemporary ones and in particular the artists of the currents of the abstractionism and spatialism from the ’30 to the ’70 of XX century.

MAC has established on 2016 a new office in Miami that will be the administrative center of the business in the U.S., its target market in the next years with the aim of opening in a short time an exhibition space in Florida that would become a reference point for Italian contemporary artists

Truka - Giorgio Laveri

Giorgio Laveri Truka

BlaBlaBla - Fabrizio Dusi

Fabrizio Dusi BlaBlaBla

Exhibiting Artists

Other Represented Artists

  • Fabrizio Dusi  (+)

    Biography : Fabrizio Dusi, born in Sondrio in 1974, graduated in 1993 from Art School, he after graduated also as webdesigner. In 2003 he started to attend the course of ceramic at Cova School in Milan. In 2005 he opened his artistic laboratory in Milan.

    Exhibition : 2017 personal exhibition “Don't Kill” Curated by Chiara Gatti and Sharoj Hecker at Casa della Memoria, Milano 2016 personal exhibition “Classic Lovers” at Galleria Melesi, Lecco 2016 collective exhibition at BAG Bocconi Art Gallery at Bocconi University of Milano, with the work “Basta blablabla” 2015 personal exhibition “Classic Family” at S. Fermo Maggiore church, Verona 2015 personal exhibition “Classic Family” Sala S. Ignazio, Arezzo curated by di Fabio Migliorati 2015 “la scultura ceramica contemporanea in Itala” at GAM Galleria Nazionale d’Arte Moderna di Roma curated by Maristella Margozzi e Nino Caruso (catalog) 2015 present at MiArt, Milan with Flora Bigai Gallery 2014 present at MiArt, Milan with Flora Bigai Gallery 2014 participation to Praestigium Italia curated by Luca Beatrice for L. Benetton Collection (catalog) 2013 collective exhibition at BAG Bocconi Art Gallery at Bocconi University of Milan, with the work “Basta blablabla” 2013 participation to the charity auction to Christie’s Milan for San Patrignano's Community (catalog) 2013 present at MiArt, Milan with Flora Bigai Gallery 2013 present at Artefiera, Bologna with Flora Bigai Gallery 2012 personal exhibition at Flora Bigai Gallery, Pietrsanta (LU) curated by Beatrice Buscaroli and Sharon Hecker (catalog) 2012 participation to Biennale d’arte Ceramica BAAC , Frascati (RM), curated by Manrica Rotili and Jasmine Pignatelli (catalog) 2012 present at MiArt, Milan with Flora Bigai Gallery 2012 present at Artefiera, Bologna with Flora Bigai Gallery 2011 participated to “Arte a Sud” Unione dei Comuni del Versante Ionico (CZ) curated by Francesca Londino and Settimio Ferrari (catalog) 2011 testimonial for Scuola Cova, Milano and exhibition of an intsllation of the front of the schoole, Vercelli 22 Milano 2011 collective exhibition “Segno Divino” 2011, at Centro Angelo Savelli Arte Contemporanea Lamezia Terme (CZ) (catalogo) 2011 collective exhibition a

    Detailed Description : Fabrizio Dusi is an Italian artist born in 1974. His versatility and ability to represent various aspects of contemporaneity make him a modern artist. His works are powerfully expressive and go right to the heart of the matter, depicting problems of communication in relationships, people trying to communicate but in actual fact just creating clouds of meaningless words because no one listens, is disinterested or inpatient (Parole al vento – words in the wind). These themes are acutely topical, created with the irony that facilitates their provocative bite and makes their message more direct. Fabrizio Dusi has worked with many themes, but this is the one that most identifies him. The wall-mounted ceramic installation Listen To Me could be considered the artist's manifesto. The face depicted in outline, mouth wide open, emitting a vapor of elements represents words spoken uselessly. It is a ferocious criticism to the excess of words hallmark of the present time, but it is made with a light hand in bright colors. The artist is already present in some important international collections including the Pérez Collection of Miami. Two of his works are exhibited in the lobby of the Icon Bay Residence in Midtown Miami and of the Beachwalk Resort by Pininfarina in Hallandale Beach. From May 31st he will exhibit at the “House of the Memory” in Milan the artwork “Don't Kill”, a project with a series of red neon sentences inspired to the thoughts expressed by the Italians deported during the Second World War.

    Artist's Objects:

    • Fabrizio Dusi - BlaBlaBla BlaBlaBla

  • Giorgio Laveri  (+)

    Biography : Giorgio Laveri was born in Savona. After the professional formation studies on the television direction, he collaborates with Salvatore Passarella and paints a Murales series on the condition of the Chilean people after the coup of 1972 (Milano, Roma, Brescia, Vicenza) In 1973 prepares the first one man show to the Genova Vultur gallery and founds with Nando Anerdi of the Derby Of Milan the theatrical group "Rosacroce". After a series of cooperations with various Cinematography Productions, turns his first cortometraggio "The Sleeping Beautyin the wood " inserted in a satirical show-theatrical of which is also author. Since 1974 he has professionally dedicated to the cinema and the theatre. He writes and realizes 11 theatre pieces and 19 short film including "Scommessa di un matrimonio", which wins the prize of the criticism to the festival "cinema at home" of Rome. He plans and he prepares for the Flaminio theatre a theatrical show and begins a cooperation with the Switzerland television. At the same time he activates a piece of research on the bound artistic expression to the ceramics and the cinema. Numerous the personal shows on these themes which prepares to the beginnings of the 1980s with catalogues of Giorgio Dibitonto, Silvia Broggi, Marco Casiraghi, Brasilia Pellegrinelli.

    Exhibition : 1981, Cabin Well Art Gallery, Albisola 1982, Modern Interarte Art Gallery, Milan 1983, Art Albanian Gallery, Vicenza 1984, Homo Sapiens Gallery, Savona In 1985 he realizes a line made of ceramics for the office to "cinematography" theme and the Banque National de Paris organizes a show of his in "the room of the four columns" in the Milan place of business. In 1986 it is born "Cineceramica" which is presented for the first time to the Eolie islands in cinematography opportunity of the celebrations of the 80 years of the Titanus that he assumes the sponsorship together to the Sicily area. The world of the image and the movement "stopped" in ceramics, become an itinerant event. "Photograms in ceramics" drawn by big films compose this show which is presented also to Trani, Albisola and Milan in the cathedral gallery in occasion of the prizegiving of the winning films in (1988). Cineceramica is reviewed by all the national headers and the RAI is responsible for the event with two special on TG1 and TG3. At the end of the 1980s the first of the numerous Ceramica-Luce-Movimento experimentations "Delitto in Cineceramica" is born. A theatrical pièce presented in national preview to the Theatrical Festival of Borgio Verezzi. Actors and ceramics interact on the stage with a luminous choreography. Parallely to the event, proposed in several Italian towns, a show composed by bound big format works to his theatrical activity is presented. In 1993 he adheres to the French Art Mobil group a series of events in Italy and France plans with. He still signs with Patrick Moya and Veronique Champollion the first part of Show Of The Mediterranean Artistic Movement in evolution. He takes part in a series of international events between which: 1993, Environment Art, Monumental Complex Of The Savona Priamar 1994, Nouvelle Ecole de Nice, Nizza and Montpellier 1995 Ceramics and draws, Union Swiss Agno Banks, Lugano In 1996 he founds with the Mental Genova Health Department, the "

    Detailed Description : Giorgio Laveri, a playful and irreverent ceramist, desecrating the aesthetic plastic, has created some "giant" works for this exhibition, leitmotif of his work. For some time, Giorgio Laveri has maintained his focus on the trades and common objects from the urban reality that surrounds him. Through an enlarged and enhanced reproduction, using the charm of ceramic glazes he gives them a new dignity. Inflated, assembled, and re-interpreted items allow the artist to cross the daily barrier and celebrate the familiar that goes unnoticed. In this sense, the significant challenge of the magnified objects that seems, at first sight, caused by references to dadaism of Duchamp rather than the extraterritoriality of the sculpture by Claes Oldenburg and the different facets of the nouveaux realistes, becomes for Giorgio Laveri the attempt to combine two opposites: on one hand to put the magnifying glass on the quotidian in its most common and obvious meaning, on the other one to make it non-conventional, to place it in the spotlight. Each item considered becomes for Laveri a tool of communication, more specifically a sensual communication: the subject, rather than something important in itself, is a means to engage and attract the attention of the viewer. It is the desire to touch and to be touched that interests the artist, which emphasizes the presence of ordinary consumer goods to make them great through the use of an extremely sensual material like ceramics. Glamour, seduction, tactility are all elements that blend together in the ceramic works of Laveri who never misses the opportunity to mock and provoke the viewer.

    Artist's Objects:

    • Giorgio Laveri - Truka Truka

  • Paolo Manazza

    Biography : Paolo Manazza was born in Milan in 1959. He studied Theoretic Philosophy at the Università Statale if Milan. Today he is a true intellectual in the field of visual arts. He is a painter and a journalist, but also the author of many essays: the latest is “On the scope of art in the wake of 9/11” (ObarraO Editions, Milan, 2006). Paolo Manazza is part of the generation of those artists that still nowadays, in the mare magnum of the new contemporary art codes, is trying to explore the unlimited possibilities of the painting. He is dealing not with figuration, about which not just in Italy there is a (not so edifying) dispute; he is wondering if it is desirable or not to go back to the technique supremacy on the footsteps of the tradition in contrast with the new bi-dimensional trends. Manazza pushes as far as the painting viscera wondering about the meaning and the strength of the colour on the shape, which is in an osmotic but also servile relation with the colour itself. The colour research, just apparently on the footsteps of the great fathers of the Abstract Expressionism, is more about an existential and a spiritual dimension that is part of the needs of our historical period. More pregnant, observing the chromatisms and the vibrations produced by the matching of the backgrounds and their transparencies, appears in his case the study of Wassily Kandinskij; according to him art have to move, to create a deep direct new contact able to penetrate into the “ego” of who is observing, while the shapes have to create a harmony to obtain an effective contact with the soul. The artist’s hand, in Manazza’s case, draws from the will of playing with the power and the brightness of the pigments to create a mystic, sentimental, transcendent, mysterious effect. In other words the wish of giving life to a completely different reality where the painting, as in Mark Rothko’s lesson, becomes a window open in a transcendent world, capturing ourselves in its unmistakable

  • Elisa Rossini  (+)

    Biography : Elisa Rossini, born in Busto Arsizio in May 1986, graduated in 2005 from Art School in Busto Arsizio, she obtained in 2009 the degree in Visual Art and Sculpture from “Accademia delle Belle Arti di Brera” in Milan with the thesis “Me and Gregor Mendel, passing by Hanne Darboven e Agnes Martin”.

    Exhibition : Personal exhibitions 2014: “Diversamente insieme in Sala Rossa”. Personal exhibition of Alessandro Mazzoni ed Elisa Rossini. Sala Rossa, GHIGGINI 1822 Varese 2014: “STORIE DI FILI. Il cuore, la città, il mondo”. Museo G. Gianetti Saronno (VA) 2012: “PRECARIETA’” Installation and performance at Piazza della Libertà, Saronno. Museo G. Gianetti, MILS (Museo dell’industrie e del lavoro saronnese), InformaGiovani Saronno+Biblioteca, Comune di Saronno 2012: “NELLE VOSTRE MANI” edited by di Manuela Ciriacono, Spazio Arte Giovane, Biblioteca Busto Arsizio (VA). Comune di Busto Arsizio e Palazzo Cicogna. In collaboration with Associazioni Panificatori Busto Arsizio, Distretto del Commercio Busto Arsizio, Associazione Commercianti di Busto Arsizio  2011: “ELISA ROSSINI COME UN ROSARIO” edited by di Cristina Moregola, La casa Bioecologica, Busto Arsizio (VA) Group exhibitions 2014: PREMIO GHIGGINIARTE XIII edition, Ghiggini 1822 Art Gallery, Varese 2014: INNESTI ADATTIVI, virtual group exhibition edited by Artasylum: 2014: DONNA è ARTE, manifestazione a sostegno dell’insostituibile operato dell’associazione E.VA onlus Busto Arsizio a difesa delle donne che subiscono violenza psicologica, economica, fisica e sessuale c/o lo spazio Tante Cose Busto Arsizio (VA) 2013: TENTATION edited by Monica Villa, Villa Contemporanea, Monza 2012: LA LEGGEREZZA DELLE IMPRONTE edited byi Manuela Ciriacono e Whirlpool, Whirlpool, Biandronno (VA) 2012: PREMIO ARTE RUGABELLA 2012 SULLA NATURA edited by Fabio Carnaghi. Villa Rusconi, Castano Primo (MI) 2012: IMPRONTE sculptures and installations converse with Villa Pomini edited by Manuela Ciriacono, Villa Pomini, Castellanza (VA) 2011: PREMIO ARTE 2011, Palazzo della Permanente, Milano 2011: MANICOMI APERTI SENZA CATENE, Art Meeting, Centro Culturale il Ghetto, Cagliari 2011: MANICOMI APERTI, Art Meeting, ex Monte Granatico (fronte ex manicomio), Dolianova (CA) 2010: Mostra- As

    Detailed Description : Elisa research is based on observation, on registration, on classification and cataloging of all she see. Given a set she finds similarities and differences reducing everything to the minimum terms. The subjects on which she was inspired initially were vegetable, such as fruits and flowers,or at least elements of the nature, then go into situations that hold this individual / groups of people or topics that represent them. The analysis Of Elisa takes time and is always expressed in a different way, as it is the same research that suggests her whether to use a material rather than another.

    Artist's Documents: