Galerie Brésil


Sao Paulo

Brazil

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About

Exhibiting Artists

  • Adhemir Fogassa  (+)

    Biography : Geometric abstraction is the definition of the sculptural style of Adhemir Fogassa. His abstractionism emphasizes the pure geometric forms, more rational and sometimes symbolic. For Fogassa, nature is not a theme, but a source of ideas that serves as a starting point for your creativity. The final resemblance does not exist. What matters is the shapes and colors, the volume and the texture. His conceptions are mathematical. Adhemir works on lines and architectural curves that couple to his works emotions and movements in varied designs, leaving a spontaneous playful feature to stand out.The adequacy of his features to the needs of the new, the constructivism, are constant searches in his work that awakens a volumetry associated with architecture. The artist’s restlessness by mastery of materials and shapes led him to work with concrete, marbles, resins, bronze, castings, steel sheets, stainless steel and tubes, leading him to daring ways and the consequent maturation of his work. Made with patina of one color, or with various colors, Fogassa uses in his art elements of the language of the formal elements, lines, dots and colors, and some of his sculptures dialogue with mirrors of water or fountains, causing the feelings to blend into the material and generate a softening of the solid, because his inspiration comes from the movements, forms and colors of animals, vegetables or buildings. The freedom of creation that the choice of sculpture brought him is expressed in the finalization of his works, where the beginning merges with the end of the work, placing an eternal continuation in the visualization of a piece, giving the idea that there was never end or beginning. With these characteristics Adhemir has built his trademark, his own style that is a communication between his works and, at the same time, that we recognize them regardless of the series, formats, and materials used. The architectural compositions of Fogassa, either in straight structures, curved or in

    Exhibition : Recent Exhibitions and Fairs
    2018 - Inaugural Exhibition of Instituto Amo - São Paulo Scope Art Fair, New York USA
    2017 - Pinta Art Fair, Miami USA Scope Art Fair, Miami USA
    Solo Ehxibition at Dalmau Galery, SP Brazil
    2015 - Solo Ehxibition at Monica Filgueiras Galery, SP Brazil

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  • Alexandre Frangioni  (+)

    Biography : Born in São Paulo, Alexandre Frangioni was graduate in 1989 with a degree in Engineering from Mackenzie Presbyterian University. In 2005 he began his activities in the visual arts, producing works that went through painting, photography, sculpture and installation, having, in this trajectory, participated in exhibitions in different places in Brazil. Currently his artistic production is executed in his atelier located in Sao Paulo.

    Exhibition : 2018

    Scope Art, Miami EUA
    “Memória e Engajamento”- Galerie Brésil, São Paulo SP
    PARTE – Hebraica Edition, São Paulo SP
    “iMaterial”- Museu de Arte de Goiânia, Goiânia GO
    “3D”- Pinacoteca Municipal de São Caetano do Sul, São Caetano do Sul
    Casa do Olhar Luiz Sacilotto, Santo André SP
    Scope Art, New York USA
    2017

    Curto Circuito de Artes, Casarão da Cultura de Rio Claro SP
    Temporada de Exposições 2017- MARP, Museu de Arte de Ribeirão Preto SP
    “o desejo do Outro” – Espaço Ophicina, São Paulo SP
    Brazil Generations Exhibition – Pinacoteca Benedito Calixto, Santos SP
    46o Chapel Art Show, São Paulo SP
    Pinta, Miami USA
    Scope Art, Miami USA
    PARTE – Hebraica Edition, São Paulo SP
    BA Photo, Buenos Aires, Argentina
    P.AR.C’17, Lima, Peru
    2016

    Museu de Arte Contemporânea de Jataí, GO
    Museu de Arte Contemporânea MARCO de Campo Grande, MS
    #Prélocação Av. Europa 614 – São Paulo SP
    Pinta, Miami EUA
    PARTE- Hebraica Edition, São Paulo SP
    PARTE, Cidade Jardim Edition, São Paulo SP
    2015

    Museu de Arte Contemporânea de Blumenau SC
    45o Chapel Art Show, São Paulo SP
    13o Salão de Arte de Jataí – Jataí GO
    2012

    43o Chapel Art Show, São Paulo SP
    2011

    Emia Galeria, São Paulo SP
    42o Chapel Art Show, São Paulo SP
    2009

    60o Salão de Abril – Fortaleza CE
    41o Salão de Arte Contemporânea de Piracicaba, SP
    40o Chapel Art Show, São Paulo SP
    2008 – 39o Chapel Art Show, São Paulo SP
    2007

    39o Salão de Arte Contemporânea de Piracicaba, SP
    38o Chapel Art Show, São Paulo SP
    Awards
    2009

    41o Salão de Arte Contemporânea de Piracicaba, SP.

    Collections
    2017

    “Exodus II – White Bull” – AAL (Arte Al Limite) Collection
    “Exodus V” – Renata de Paula’s private collection
    2016

    “Kite II” – Museu de Arte Contemporânea de Campo Grande collection
    Education
    1989 Graduated Engineer by the Universidade Presbiteriana Mackenzie.

    2005 to present – Project orientation, guided by the artist João Carlos de Souza.



    Bib

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  • Neno Ramos  (+)

    Biography : Architect, Neno Ramos began painting professionally in 1994 and since then has been researching materials and developing techniques that repackage and reinvent pop art. He switched the banday reticles, much used in pop art, creating his own pattern of reticles, using hearts, bite apples, stars, kisses, balls and colored lists. With a playful side, he excelled with new techniques and the development of daring and unusual subjects such as The Journey of Mona Lisa to Brazil, a utopia so real that deserved the Prix Spécial in the hall of the Société Nationale des Beaux- Arts at Carrousel du Louvre in 2007, and two years later, again at the SNBA Salon, he was nominated as one of five outstanding artists with the Regard Sur recommendation. The artist is a delegate in Brazil of the Société Academique de Arts Sciences et Lettres, an associate member of the Société Nationale de Beaux-Arts and member, adviser and correspondent in Brazil of Amitiés Internationales André Malraux (AIAM), all of France. It has works in several public spaces, as in the collection of AIAM and in the Tenniseum - Museum of Roland Garros.

    Exhibition : 2018 - Scope Art Fair, New York
    Inaugural Exhibition of Instituto Amo - São Paulo
    2017- ParC Art Fair - Lima - Peru.
    Gold Medal of Arts Sciences et Lettres - France.
    II Bienal Internacional de Gaia – Portugal
    Collective Exhibition “Curto Circuito das Artes” - Casarão da Cultura de Rio Claro Collective Exhibition - Brazil Generations – Pinacoteca de Santos - S.P.
    Bronze Medal at Collective Exhibition Centro Britânico - São Paulo
    Collective Exhibition 46a Chapel Art Show - São Paulo
    BA Photo 2017 – Buenos Aires - Argentina
    Collective Exhibition “ Brazil Generations” at Duo Art Gallery - Miami
    Visual Arts Press Award 2018 – Best Collective Exhibition
    Parte Art Fair - São Paulo.
    Pinta Art Fair - Miami
    Scope Miami 2017
    2016 - Parte Art Fair – edition Cidade Jardim – São Paulo. BA Photo Art Fair -Buenos Aires - Argentina
    Parte Art Fair – Edition Faria Lima – São Paulo Pinta Art Fair – Miami
    2015 - Solo Exhibition at Pinacoteca de Santos - S.P. Collective Exhibition 45a Chapel Art Show - São Paulo
    2014 - Solo Exhibition at Slaviero e Guedes Art Gallery - São Paulo Book launch OF the artist “Neo Pop Art Neno Ramos”
    2013 - Art Monaco
    Art Shopping - Paris
    Brazil Art Fair - Miami
    2012 - Collective Exhibition “Horizontes” at Slaviero e Guedes Art Gallery - São Paulo
    Salon 2012 de La Société Nationale des Beaux-Arts, no Carrousel du Musée du Louvre, Paris
    2011 - Salon Art Capital - Grand Palais - Paris
    Special Award - Salon 2011 de La Société Nationale des Beaux-Arts - Paris
    2010 - Collective Exhibition “Lugar” at Slaviero e Guedes Art Gallery - São Paulo Affordable Art Fair - Paris
    Off Bienal 4 - São Paulo.
    Salon de La Société Nationale des Beaux-Arts - Paris.
    2009 -Exhibition “6 brazilian artists” at Britto Central - Miami
    Solo Exhibition Camden Art Gallery - London
    Special Room with the recommendation “Pay Attention” (Regard Sur...) at the Salon 2009 of the Société Nationale des Beaux-Arts - Paris
    2008 - Off

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  • Gersony Silva  (+)

    Biography : By creating a whole world of images and dreams, she had managed to overcome the physical pain caused by a disease that followed her throughout entire her childhood. That was how the art landed in her life and pushed her with its wings, talking her to a lighter path. Since she was a child, she walks hand in hand with the art, in a constant investigative analysis and reflection movement among its theory and practice. From the significance of the surrealist movement traced by her, look, folds, slits, light and shadow passages have emerged, reflecting the transcendences of body and soul, of nature and human beings, in which much is veiled and little is revealed between the blue and the red. Through the pulsation and the sway of these existences, that is, through these movements that are life itself, she try to go back to her silence, in the cave inhabited by her existence, her Higher Self. It is in this space that she grows wings made of dreams and carry on... with a body yet fragile. In the instalations, objects, drawings, paintings and performances, there are inertia and movement issues that are still part of her story. Therefore, today’s research and reflection issues are also present. Since the 80’s Gersony has participated in exhibitions in Brazil and abroad in Galleries, Art Museums and Cultural Centers She has works in Museums, Cultural Centers and in private collections. The philosophical study of contemporaneity, the research of materials, and its iconographic universe, result in paintings, drawings, installations, performances, videos, photographs and objects. Currently lives and works in São Paulo.

    Exhibition : 2018 - Meeting Points - Parallel Poetics – A Hebraica Art Gallery. São Paulo – SP
    2017 - Virgilio Art gallery - Stagings for Icarus- São Paulo, SP
    Mosteiro de Grijó “There are- White Gatherings for Maria”.
    Exhibition Mater Dei Mater Eclesiae. Gaia, Porto- Portugal
    2nd International Biennial of Gaia, Porto- Portugal
    Cultural Center of Mackenzie University. Group exhibition APAP. São Paulo SP APAP- Museum of Contemporary Art of Campinas. Brazil
    BA Photograph Art Fair, Galerie Bresil. Buenos Aires- Argentina
    Group exhibition APAP. Benedicto Calixto Pinacoteca. Santos SP Brazil Part Art Fair- São Paulo, Brazil
    Pinta Art Fair- Miami- EUA
    2016 - Cultural space of Unesp “Extensions in sensations toward the horizon”- São Paulo, SP Villa Tesoriera Palace. SOBRE vôos- Torino Italy
    Marta Traba Gallery - Memorial of Latin American São Paulo, SP “APAP 35 anos” Pinacoteca of Santos - Benedicto Calixto art gallery – “APAP 35 anos” - Santos, São Pau
    2015- Marcas D”água- Villa Tesoriera- Torino - Itália
    2014- Museum of Xingu- Espaço Amarelo. Sobre um nome não dado, fronteiras devidas IV “Hanging of the dance of time” São Paulo, SP Brazil
    Paradise Festival 2014- Vattis Art Hall et le Théâtre Apollon,Fondation Franz Liszt. Greece

    2013 - The Magic of mobility. Camões” room, General Consulate of Portugal , São Paulo, SP Sergio Caribé Gallery “ Trialidade” São paulo SP
    2012- Mônica Filgueiras Art Gallery “Vermelho” São Paulo SP, Brasil
    2011- Sabrina Falzone gallery, Il Borgo “Colorful World”, Milan, Italy.
    Cultural Space Condominium Planalto “ smal big works”, São Paulo, SP. Osterrechisches Lateinamerika-Institut “Brazilian paintings and sculptures”, Wien, Áustria XVI International Circuit of Brazilian Art : Museu- Convento de S. Domingos, Portugal XVI International Circuit of Brazilian Art: Casa do Brasil, Centro Cultural, Madrid- Espanha XVI International Circuit of Brazilian Art: Museu Inimá de Paula, Minas G

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  • Claudio Tozzi  (+)

    Biography : Claudio Tozzi Currently lives and works in São Paulo. He initiated his trajectory as an artist in the early 60’s, with the appropriation of objects, images taken from newspapers, comics and photos associated with social issues through symbolic connotations. In the 70’s he created a new syntax through the construction of a thread of reticules and chromatic granulations that led to structures and spaces full of intense symbolic meanings. It is a rational and mental process rather than an emotional and expressive one, in which the essence is the concept, the structure and the construction of the space of the painting. From the 80’s until his more recent works, he intensified his formal concerns and started to work with basic structural elements: Lines, planes, colors and organic forms, materials that create formal analogies with pre-existing images and enlarge their constructive characteristics. In his methodic and objective processes Claudio Tozzi uses visual icons -- screws, stairs, fragments of objects, tropical symbols, urban spaces, etc -- and deconstructs them using only their essential aspects. He is an artist of strict formal rigor whose work includes constructive and conceptual approaches. Born in São Paulo city where he lives and works. He studied in the Colégio de Aplicação da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo (1956 / 1962) and in the Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (1964 / 1969), where he works as a professor. He participated in several group exhibitions, among which: Jovem Arte Contemporânea at the Universidade de São Paulo Contemporary Art Museum; Brazil 500 years - Contemporary Art; Brasilian artists and mass iconography-ESDI/Rio; Culture in Belém; Tradition and Rupture; Ship of senseless people-MACUSP; Art and Memory: the years of rebellion-MUFRGS/Porto Alegre; Marginalia 70 (Marginals of the 70 ́s): the Super 8 (short films) in Brazilian Experimentalism; Th

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Other Represented Artists