Ai Bo Gallery


One Stratton Road
New York 10577 Purchase
United States
Phone: 914-251-0169
Mobile Ph: 914-263-7500
Email : glenn@aibogallery.com
URL : www.aibogallery.com

luis f Perez

Glenn Aber


About

Ai Bo Gallery showcases art that stands out and translates across multiple arenas of discourse, art history and culture. We focus on promoting internationally emerging and mid-career artists who mix traditional disciplines like painting, drawing and sculptures as well as installations with new media, mixed media, and unique methodology. Working closely with our artists, we encourage the balance of innovative conceptual ideas with a highly visual approach. Committed to facilitating global exposure for our artists, the gallery determines to bring their works to the most prestigious art shows world-wide.

Yaacov Agam Color Nines

Alberto Letamendi KANTAURI ITSASOA VII- CANTABRIAN SEA DIPTYCH, 2022

Alberto Letamendi MUGHAL III (FRONTIER III),

Gregoire Devin GENTLEMAN,

Cristina Ghetti COLOR THINKING COMPOSITION II,

Jens-Christain Wittig SWIRL ZERO ONE,

Patritzia Casagranda RED ORANGE DIVERSITY

Patritzia Casagranda RED PINK FREDA, 2022

Gregoire Devin INFINITY, 2022

Jose Margulis DUAL PERCEPTION, 2018

Jose Margulis JUXTAPOSE RED & GREY, 2017

Tom Marosz DICHROIC GREY WINGS 24", 2020

Koichi Matsufuji Seated Baby

John Petrey NICOLE, 2019

Vladimir PRODANOVICH GOLD QUEEN, 2019

Son le Thanh SUMMERTIME COFFEE HOUSE, 2017

AMAURI TOREZAN SUMMER SOLSTICE, 2022

About the Artist

It is # 86 in a series of 99 printed...
Basque Country artist Alberto Letamendi’s new diptych painting Kantauri Itsasoa VIl. This piece depicts the local people who gather every September to watch the large powerful waves of the Cantabrian Sea.
Patrizia's idea of a piece of "wall on the wall" uses the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. In the process, Casagranda makes use of the artistic range that graffiti has to offer. Stencils, grids, sprayed and painted areas are found next to and on top of each other, also in combination with type fragments that she takes from different contexts. These can be a poem or Charlie Chaplin's speech from the film The Great Dictator. While not originating from this scene, Casagranda's use of graffiti techniques demonstrates how this artistic counter-movement has managed to reach the art world's mainstream.