NINE Gallery


14, Yesul-gil 15Beon-gil, Dong-gu
61474 Gwangju
Korea
Phone: +821064273704
Mobile Ph: +821064273704
Email : nine9000@hnanmail.net
URL : www.ninegallery.co.kr

Gwangju
Korea

seungchan Yang

Suji YANG


Hyung loc SHIN Untitled

Hyung loc SHIN Untitled

Hyung loc SHIN Untitled

Hyung loc SHIN Untitled

Se-jin BAE Waiting for Godot

Se-jin BAE Waiting for Godot

The laps of time involves duration, repetition, transformation, circulation. It is continuous, repetitive and circular. the change always follows with the repetition and circulation. This time is along with nature as well as human. However, modern society increasingly separates it between human and nature, which has become the main cause of the alienation of human beings, and prevalent in modern society. In the boundary of art, a study of the laps of time is ultimately a study of the human. Samuel Beckett revealed the laps of time in nature in his play ‘Waiting for Godot’, by the two main characters repeatedly waiting for the Godot. Beckett’s plays become the motives of my work and title. Working with the clay as a natural material is unifying the time of nature and human. The clay contains the time of duration, repetition, transformation and circulation. And the artist inevitably harmonize himself with the laps of time in nature. and the one who work with have to match the time with it inevitably, in order to work with. I think the essentiality of the clay material is the laps of time and worked through with the clay to reveal the laps of time. The continuous repetition of labor would be inevitable in order to visualize infinite of time because human is mortal. Putting the serial numbers and attaching tens of thousands of small blocks leads me to the stage of impassivity and makes super temporal experience. I discover myself in super temporal experience. The experience of these can be passed through by the work made by constant repetition of labor, to the audience too. I tried to visualize and record the laps of time in nature by working with it. The continuing repetition of labor helps me to overcome with alienation of human beings and to discover myself by the super temporal experience. Recording the laps of time gets its meaning only when performed repeatedly for a long time and it can deliver to audiences. So, I think the last three years of work experience is not me long. On the basis of what I have studied, I will try to get closer to the repetitive and circular time of nature by continuing repetition of labor.

Se-jin BAE Waiting for Godot

The laps of time involves duration, repetition, transformation, circulation. It is continuous, repetitive and circular. the change always follows with the repetition and circulation. This time is along with nature as well as human. However, modern society increasingly separates it between human and nature, which has become the main cause of the alienation of human beings, and prevalent in modern society. In the boundary of art, a study of the laps of time is ultimately a study of the human. Samuel Beckett revealed the laps of time in nature in his play ‘Waiting for Godot’, by the two main characters repeatedly waiting for the Godot. Beckett’s plays become the motives of my work and title. Working with the clay as a natural material is unifying the time of nature and human. The clay contains the time of duration, repetition, transformation and circulation. And the artist inevitably harmonize himself with the laps of time in nature. and the one who work with have to match the time with it inevitably, in order to work with. I think the essentiality of the clay material is the laps of time and worked through with the clay to reveal the laps of time. The continuous repetition of labor would be inevitable in order to visualize infinite of time because human is mortal. Putting the serial numbers and attaching tens of thousands of small blocks leads me to the stage of impassivity and makes super temporal experience. I discover myself in super temporal experience. The experience of these can be passed through by the work made by constant repetition of labor, to the audience too. I tried to visualize and record the laps of time in nature by working with it. The continuing repetition of labor helps me to overcome with alienation of human beings and to discover myself by the super temporal experience. Recording the laps of time gets its meaning only when performed repeatedly for a long time and it can deliver to audiences. So, I think the last three years of work experience is not me long. On the basis of what I have studied, I will try to get closer to the repetitive and circular time of nature by continuing repetition of labor.

Se-jin BAE Waiting for Godot

The laps of time involves duration, repetition, transformation, circulation. It is continuous, repetitive and circular. the change always follows with the repetition and circulation. This time is along with nature as well as human. However, modern society increasingly separates it between human and nature, which has become the main cause of the alienation of human beings, and prevalent in modern society. In the boundary of art, a study of the laps of time is ultimately a study of the human. Samuel Beckett revealed the laps of time in nature in his play ‘Waiting for Godot’, by the two main characters repeatedly waiting for the Godot. Beckett’s plays become the motives of my work and title. Working with the clay as a natural material is unifying the time of nature and human. The clay contains the time of duration, repetition, transformation and circulation. And the artist inevitably harmonize himself with the laps of time in nature. and the one who work with have to match the time with it inevitably, in order to work with. I think the essentiality of the clay material is the laps of time and worked through with the clay to reveal the laps of time. The continuous repetition of labor would be inevitable in order to visualize infinite of time because human is mortal. Putting the serial numbers and attaching tens of thousands of small blocks leads me to the stage of impassivity and makes super temporal experience. I discover myself in super temporal experience. The experience of these can be passed through by the work made by constant repetition of labor, to the audience too. I tried to visualize and record the laps of time in nature by working with it. The continuing repetition of labor helps me to overcome with alienation of human beings and to discover myself by the super temporal experience. Recording the laps of time gets its meaning only when performed repeatedly for a long time and it can deliver to audiences. So, I think the last three years of work experience is not me long. On the basis of what I have studied, I will try to get closer to the repetitive and circular time of nature by continuing repetition of labor.

Sang jin LIM Bowl

Sang jin LIM Bowl

Sang jin LIM Bowl

Kun Yong LEE Bodyscape

il SON The Day and Night

il SON Unsent Letter

il SON Letter

Bong chae SON N/A

Waiting for Godot

The laps of time involves duration, repetition, transformation, circulation. It is continuous, repetitive and circular. the change always follows with the repetition and circulation. This time is along with nature as well as human. However, modern society increasingly separates it between human and nature, which has become the main cause of the alienation of human beings, and prevalent in modern society. In the boundary of art, a study of the laps of time is ultimately a study of the human. Samuel Beckett revealed the laps of time in nature in his play ‘Waiting for Godot’, by the two main characters repeatedly waiting for the Godot. Beckett’s plays become the motives of my work and title. Working with the clay as a natural material is unifying the time of nature and human. The clay contains the time of duration, repetition, transformation and circulation. And the artist inevitably harmonize himself with the laps of time in nature. and the one who work with have to match the time with it inevitably, in order to work with. I think the essentiality of the clay material is the laps of time and worked through with the clay to reveal the laps of time. The continuous repetition of labor would be inevitable in order to visualize infinite of time because human is mortal. Putting the serial numbers and attaching tens of thousands of small blocks leads me to the stage of impassivity and makes super temporal experience. I discover myself in super temporal experience. The experience of these can be passed through by the work made by constant repetition of labor, to the audience too. I tried to visualize and record the laps of time in nature by working with it. The continuing repetition of labor helps me to overcome with alienation of human beings and to discover myself by the super temporal experience. Recording the laps of time gets its meaning only when performed repeatedly for a long time and it can deliver to audiences. So, I think the last three years of work experience is not me long. On the basis of what I have studied, I will try to get closer to the repetitive and circular time of nature by continuing repetition of labor.

Waiting for Godot

The laps of time involves duration, repetition, transformation, circulation. It is continuous, repetitive and circular. the change always follows with the repetition and circulation. This time is along with nature as well as human. However, modern society increasingly separates it between human and nature, which has become the main cause of the alienation of human beings, and prevalent in modern society. In the boundary of art, a study of the laps of time is ultimately a study of the human. Samuel Beckett revealed the laps of time in nature in his play ‘Waiting for Godot’, by the two main characters repeatedly waiting for the Godot. Beckett’s plays become the motives of my work and title. Working with the clay as a natural material is unifying the time of nature and human. The clay contains the time of duration, repetition, transformation and circulation. And the artist inevitably harmonize himself with the laps of time in nature. and the one who work with have to match the time with it inevitably, in order to work with. I think the essentiality of the clay material is the laps of time and worked through with the clay to reveal the laps of time. The continuous repetition of labor would be inevitable in order to visualize infinite of time because human is mortal. Putting the serial numbers and attaching tens of thousands of small blocks leads me to the stage of impassivity and makes super temporal experience. I discover myself in super temporal experience. The experience of these can be passed through by the work made by constant repetition of labor, to the audience too. I tried to visualize and record the laps of time in nature by working with it. The continuing repetition of labor helps me to overcome with alienation of human beings and to discover myself by the super temporal experience. Recording the laps of time gets its meaning only when performed repeatedly for a long time and it can deliver to audiences. So, I think the last three years of work experience is not me long. On the basis of what I have studied, I will try to get closer to the repetitive and circular time of nature by continuing repetition of labor.

About the Artist

Hyung loc SHIN, "Untitled"
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Se-jin BAE, "Waiting for Godot", Ceramics, Paper, Ink, 73 x 93 cm.
Ceramics, Paper, Ink
73x93cm
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Ceramics, Paper, Ink
73x93cm
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Ceramics, Paper, Ink
73x93cm
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Mixed media
Mixed media
Mixed media
Mixed media on paper
Mixed media
Mixed media
Mixed media
Ceramics, Paper, Ink
73x93cm
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Ceramics, Paper, Ink
73x93cm
+ More info