Gallery Grimson


Insadong 10gil
Jongno-Gu
Seoul KS013 Seoul
Korea
Phone: 82 2 733 1045/6
Mobile Ph: 82 10 8743 0834
Email : gallerygrimson@gmail.com
URL : www.grimson.co.kr

Shim Sun Young (exhibition planning & art consulting / curator)

Kim Eun Hea (exhibition management)

Kim Yeon Jin (exhibition management)

Choi Ji Hwan (general management)


About

Gallery Grimson aims to provide a forum for artists and audiences to interact and communicate with each other through different forms of contemporary art. Having recently celebrated its grand opening in June 2008 in Insadong, an area widely recognized as being Seoul’s art center,

the Gallery will strive to quickly become a premier destination for artists, collectors, curators, and art lovers alike. At Gallery Grimson, our mission is to actively seek out undiscovered new artists whose works tackle new and innovative ideas and to carry out art projects designed to advance the appreciation for contemporary art in Korea. Gallery Grimson exhibits various genres of painting, sculpture, photography, installation, and media. Moreover, the Gallery will showcase the talent of young Korean artists by bringing theirs works to the global marketplace through our broad international network and participation in various shows and exhibitions abroad.

Lim ChangMin into a time frame_Hyeojae Beach

Bae JoonSung The Costume of Painter - Romeo & Dongsook 2

Lim ChangMin into a time frame Dodong Shuwon

Lim ChangMin Into a time frame wonder island

Bae JoonSung The Costume of Painter- F.Hayez kiss

Bae JoonSung The Costume of Painter - _good to see U_

Bae JoonSung The Costume of Painter- Vermeer, pearl & flower

Bae JoonSung The Costume of Painter - C.B, eb

Bae JoonSung The Costume of Painter - moving animals

Lim ChangMin Pittock mansion

ByungKwan Kim Old Star_No.02

ByungKwan Kim Second Layer_No.37

ByungKwan Kim Old Star_No.01

ByungKwan Kim Second Layer_No.28

ByungKwan Kim Second Layer_No.30

ByungKwan Kim Second Layer_No.31

ByungKwan Kim Second Layer_No.33

Chae SungPil 물의초상(portrait d_eau 220356)

Chae SungPil 물의초상(portrait d_eau 220493

Chae SungPil 물의초상(portrait d_eau 220360).

About the Artist

Artist Changmin Lim combines photos and videos taken while traveling to express them in one frame. The image shown through the window is a video image that expresses the feeling of realism of the beach.
Artist Bae Joon sung shows the change of image through the lenticular that combines the two paintings. The two screens, the visible and the invisible, express a moving painting extended from flat painting.
Artist Changmin Lim combines photos and videos taken while traveling to express them in one frame. The winter snowy landscape seen through the door looks very static and feels very meditative.
Artist Changmin Lim combines photos and videos taken while traveling to express them in one frame. The mountain seen through the window is Sanbangsan in Jeju Island.
Artist Bae Joon-sung shows the change of image through the lenticular that combines the two images. The two screens, the visible and the invisible, express a moving painting extended from flat painting.
Artist Bae Joon-sung shows the change of image through the lenticular that combines the two images. The two screens, the visible and the invisible, express a moving painting extended from flat painting.
Artist Bae Joon-sung shows the change of image through the lenticular that combines the two images. The two screens, the visible and the invisible, express a moving painting extended from flat painting.
This work is painted on vinyl. Behind the vinyl is a photo layer. The two overlap to complete one work. The two layers show different spaces and times.
It is a work that expresses the movement of various animals. in the style of children's drawings.
It is a work that combines photography and video, and you can see the movement of the landscape outside in the quiet living room landscape.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
To materialize an icon, it should reflect current time and space. Sign related to numerous meanings that are created and disappeared, or reinterpreted. Anyway, if the meaning or sign remains only a form, we call it ‘icon.’ When an icon of the specific era is replaced by another time and space, the icon remains only a form.
As for art, Sung Pil CHAE relies on a Taoist vision of nature and its five elements (fire, water, wood, metal, and earth). These five changing (mutable) elements, perceived like various phases of transitionary stages of a process of mutual conceiving. The easel is the wood; the ink or binder is the water; the color is the fire and the finely crushed clay is the earth; the silver hue or pearly powder symbolizes metal.
For the artist Sung Pil CHAE, earth is the most fundamental element of the five elements. That is to say, earth is perceived as a being that contains all of fire, water, wood, and metal. His works actually show the fundamental position of earth, integration and consilience, which combines such many elements into one. He completes his painting through the process of washing some of the paint off on the canvas or letting the soil spread in the previous step.
As for art, Sung Pil CHAE relies on a Taoist vision of nature and its five elements (fire, water, wood, metal, and earth). These five changing (mutable) elements, perceived like various phases of transitionary stages of a process of mutual conceiving. The easel is the wood; the ink or binder is the water; the color is the fire and the finely crushed clay is the earth; the silver hue or pearly powder symbolizes metal.