NISTICOVICH GALLERY


Tel Aviv
Israel
Email : [email protected]
URL : nisticovichgallery.com/


About

Nisticovich Gallery, founded and directed by Rosario Nistico, Italian-born, is led by a visionary in contemporary art with a rich academic and artistic background. With a foundation built on his studies in art history and fine arts, Rosario embarked on a journey of artist management, dedicating over a decade to promoting emerging and established Israeli talents across various mediums as well as international artists. Over the years, he has successfully placed several artists in prominent museum collections, helping them gain institutional recognition and long-term visibility.
The gallery serves as a true home for its artists, from traditional to nonconventional creators who challenge classic methods and explore new tools and materials, often working beyond the paintbrush. Each artwork embodies a unique artistic vision, born from a profound dedication to pushing boundaries and inspiring new perspectives. Guided by Rosario’s vision and insight, these artists are encouraged to reach new horizons and continue to grow both artistically and professionally.
His passion for contemporary art has been reciprocated in the support and loyalty of his growing clientele. The gallery views this mission as an opportunity to foster unity and resilience, celebrating art’s power to connect people and transcend boundaries.

Natan Elkanovich Wrapped in Dreams

Roman Gulman Veil of Eden

Natan Elkanovich Dea del Vento (Goddess of the Wind)

Leon Weinreb The Flamingo Rebbe

Natan Elkanovich From the Pool Paintings Series "Seaside Reflections"

Roman Gulman Allure

Ali Esmaeilipour Totem of Trends

Natan Elkanovich The still Tone

About the Artist

NATANISM is a groundbreaking painting technique created by Natan Elkanovich in the mid-1990. It has evolved into a unique artistic language that transcends style and convention, transforming emotion, repetitive movement and meditation into a one-of-a-kind visual experience.
At its core lies an unexpected source: the use of kitchen & SEWING utensils to drizzle and sculpt plastic materials on canvas.
This bold approach elevates everyday tools into instruments of fine art, merging authenticity with daring innovation.
Within 21st-century art, NATANISM stands as a bridge between tradition and the future, redefining artistic possibility and inspiring artists worldwide to adopt its expressive techniques.
As its originator, Natan Elkanovich has opened an entirely new path in contemporary art, ushering in not just a body of work, but the birth of a new artistic era..

In Wrapped in Dreams, a solitary figure is seen from behind, enveloped in a richly patterned coat whose vivid turquoise, crimson, and indigo motifs seem to pulse with life. The garment becomes a tapestry of imagination, a protective mantle that carries the dreamlike quality of memory and desire. Against the quiet, sketch-like background of trees and pathways, her bare feet ground the vision in intimacy and fragility.
The interplay between the meticulously detailed coat and the unfinished surroundings suggests a journey between reality and reverie. The viewer is invited to follow her footsteps, entering a space where personal stories and collective dreams are gently interwoven
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NATANISM is a groundbreaking painting technique created by Natan Elkanovich in the mid-1990. It has evolved into a unique artistic language that transcends style and convention, transforming emotion, repetitive movement and meditation into a one-of-a-kind visual experience.
At its core lies an unexpected source: the use of kitchen & SEWING utensils to drizzle and sculpt plastic materials on canvas.
This bold approach elevates everyday tools into instruments of fine art, merging authenticity with daring innovation.
Within 21st-century art, NATANISM stands as a bridge between tradition and the future, redefining artistic possibility and inspiring artists worldwide to adopt its expressive techniques.
As its originator, Natan Elkanovich has opened an entirely new path in contemporary art, ushering in not just a body of work, but the birth of a new artistic era..

In Goddess of the Wind, Natan Elkanovich captures a divine moment of motion and freedom. The figure, seen from behind, strides barefoot into an undefined space, her flowing hair and billowing robe alive with wind and energy. Her dress—vividly textured with layered plastic in swirling blues, greens, and magentas—becomes an extension of nature itself: waves, flames, petals in flight.
The background, rendered in delicate contour lines, remains intentionally incomplete. It serves as a silent stage—awaiting animation by the presence of the goddess. Through this stark contrast between monochrome sketch and tactile color, Elkanovich suggests a world still in the making, one that comes alive only through movement, creation, and feminine force.
Executed in his signature Natanism technique—using pastry piping tools to layer plastic with precision and emotion—the work invites us to experience not only a visual scene, but a myth in motion. She is not carried by the wind.
She is the wind.
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NATANISM is a groundbreaking painting technique created by Natan Elkanovich in the mid-1990. It has evolved into a unique artistic language that transcends style and convention, transforming emotion, repetitive movement and meditation into a one-of-a-kind visual experience.
At its core lies an unexpected source: the use of kitchen & SEWING utensils to drizzle and sculpt plastic materials on canvas.
This bold approach elevates everyday tools into instruments of fine art, merging authenticity with daring innovation.
Within 21st-century art, NATANISM stands as a bridge between tradition and the future, redefining artistic possibility and inspiring artists worldwide to adopt its expressive techniques.
As its originator, Natan Elkanovich has opened an entirely new path in contemporary art, ushering in not just a body of work, but the birth of a new artistic era..

In parallel with his original line of paintings, Natan creates homages to beloved works by great masters of art, artists who have profoundly shaped his inner world and left a lasting mark on him through their influence on philosophy and popular culture. By painting these homages, Natan expresses his deep respect and gratitude for their impact. In his words: “I paint homages to great masters whose works deeply affected my life and contributed, like my parents and teachers, to my spiritual world and worldview. These people were my ‘babysitters,’ and by painting them now, I express, with no trace of cynicism, my profound appreciation and endless thanks for helping to build my inner world.”
Natan has also drawn inspiration from the work of David Hockney, an artist he greatly admires. What began modestly with a series of pool paintings inspired by the spirit of Hockney’s masterpieces soon evolved, through dedication and creativity, into a full line of accessible works. Each painting is uniquely infused with Natan’s own artistic vision and style.
Over the past year, this series of pool paintings has found remarkable success among his collectors worldwide.
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NATANISM is a groundbreaking painting technique created by Natan Elkanovich in the mid-1990. It has evolved into a unique artistic language that transcends style and convention, transforming emotion, repetitive movement and meditation into a one-of-a-kind visual experience.
At its core lies an unexpected source: the use of kitchen & SEWING utensils to drizzle and sculpt plastic materials on canvas.
This bold approach elevates everyday tools into instruments of fine art, merging authenticity with daring innovation.
Within 21st-century art, NATANISM stands as a bridge between tradition and the future, redefining artistic possibility and inspiring artists worldwide to adopt its expressive techniques.
As its originator, Natan Elkanovich has opened an entirely new path in contemporary art, ushering in not just a body of work, but the birth of a new artistic era..

A solitary figure stands bare-chested by the sea, suspended in a moment of quiet thought.
Rendered in sepia monochrome, the scene hums with a muted warmth — as if time itself has softened.
The horizon fades gently, mirroring the introspection within.
This is not silence, but stillness: a tone that resonates beyond sound, echoing through memory and mind.
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