Special Exhibition: VISIONS 2024
Experiments with Art and Technology 

Curated by Meaghan Kent

Visions 2024 presents beautiful and compelling work that captivates and inspires, all while challenging preconceived conventions of art. Incorporating experimental photography as a foundation, Visions 2024 offers technological art as not just a trend but a continuously profound transformation that has reshaped our cultural landscape. 

Visions 2024 highlights the transformative and creative fusion of art and technology in our current times. Artists are leveraging digital tools and AI to push the boundaries of traditional media, creating immersive experiences and innovative artworks. They continually craft dynamic, interactive pieces that engage audiences in new ways. Social media platforms like Instagram have become essential for artists to share their work, AI enhances physical artworks with 3rd and 4th dimensional features, and NFTs revolutionize the ownership and monetization of digital art. These new methods of presentation are redefining visual storytelling, allowing for an unprecedented expression of the world around us.
Creative possibilities are showcased through a rich variety of experiments, technology, and handmade interactions. dNASAb prints transcend 2D by being activated through QR codes. Richard Garet’s new oneiric series features hand-painted inspirations from AI sound devices, while Frank Hyder’s sound canoes, Artem Mirolevich’s prints, and Silvia Lizama’s painted photographs transcend time with an apocalyptic sensibility. Tiffany Trenda’s unique images, which incorporate AI software, also illustrate how technology can be manipulated to create profound works while questioning identity. Tincolini is the founder of TorArt, a contemporary art workshop that combines traditional craftsmanship with advanced technologies like 3D laser scanners and anthropomorphic robots to support leading artists. His marble sculptures exemplify the harmonious coexistence of art, craftsmanship, and science.

Meaghan Kent is an Independent Curator and Professor in Art History. Kent’s primary mission is to make art accessible, leveraging her skills to inspire engagement and collaboration by translating ideas into compelling exhibitions and programs. As an avid researcher and writer, she is dedicated to documenting and archiving social, political, and cultural history through the lens of visual arts. For the past five years, Kent worked as the Curator of Exhibitions at the Art and Culture Center/Hollywood. She is the Founder of Site95, an organization that holds exhibitions in available spaces including Locust Projects, Abrons Arts Center, and public outdoor spaces in Miami and New York. Kent was also a gallery director for fifteen years where she managed the careers of internationally emerging and established artists and coordinated exhibitions locally and worldwide. She co-founded Páramo in Guadalajara, Mexico, and directed off-site projects at The Mistake Room in Los Angeles, Casa Pedregal in Mexico City, and El Museo de los Pintores Oaxaqueños in Oaxaca. Prior to Páramo, she worked at Casey Kaplan, Andrea Rosen Gallery, and I-20 in New York. Kent completed her MA in art history at George Washington University, Washington, DC, and her BA at the College of Santa Fe, New Mexico. She was a participant of Independent Curators International (ICI) Intensive in 2012 and a mentor for the 2016 Liverpool Biennial Associate Artists Programme. Kent has written for several publications including the South Florida Cultural Consortium (catalog), Site95 Journal, ArtHaps, and Art in America, and is a member of the Broward Arts Journalism Alliance (BAJA). Exhibitions have been reviewed in Frieze, The Washington Post, Washington City Paper, Gallery Monthly, The Miami Herald, and The New York Times.

Participating Artists
dNASAb, Richard Garet, Frank Hyder, Artem Mirolevich, Silvia Lizama, Filippo Tincolini, and Tiffany Trenda