Sebastián Caicedo is a Colombian artist, designer, and architect whose multidisciplinary practice moves fluidly between art, design, and architecture. Drawing on more than a decade of professional experience, his work combines a strong conceptual foundation with a refined understanding of materials, form, and space.
Caicedo holds a Master of Fine Arts from Universidad de los Andes and pursued graduate studies in Design at the Istituto Europeo di Design in Milan, as well as Architecture at Parsons School of Design in New York.
At the center of his work is an ongoing exploration of industrial materials, particularly aluminum. Rather than treating the material solely for its functional qualities, he transforms it into a medium for investigating surface, structure, light, and perception. Through this process, his work resists easy categorization, often occupying the space between painting, sculpture, and object. Clean geometries and carefully considered surfaces are balanced by subtle shifts in reflection, texture, and light, allowing each piece to change in response to its surroundings and the viewer’s perspective.

Sebastián Caicedo is a Colombian artist, designer, and architect whose multidisciplinary practice moves fluidly between art, design, and architecture. Drawing on more than a decade of professional experience, his work combines a strong conceptual foundation with a refined understanding of materials, form, and space.
Caicedo holds a Master of Fine Arts from Universidad de los Andes and pursued graduate studies in Design at the Istituto Europeo di Design in Milan, as well as Architecture at Parsons School of Design in New York.
At the center of his work is an ongoing exploration of industrial materials, particularly aluminum. Rather than treating the material solely for its functional qualities, he transforms it into a medium for investigating surface, structure, light, and perception. Through this process, his work resists easy categorization, often occupying the space between painting, sculpture, and object. Clean geometries and carefully considered surfaces are balanced by subtle shifts in reflection, texture, and light, allowing each piece to change in response to its surroundings and the viewer’s perspective.

Harold Rubio is a contemporary artist whose work transforms familiar cultural symbols into layered reflections on identity, memory, and desire. Working with plastilina in mixed media, he elevates a material often associated with childhood into a sophisticated artistic language that challenges traditional ideas surrounding fine art, beauty, and cultural hierarchy.

Drawing inspiration from classical painting, religious iconography, editorial imagery, and popular culture, Rubio creates richly textured works that blur the boundaries between painting and sculpture, exploring the emotional and symbolic weight carried by everyday objects—cars, motorcycles, sneakers, luxury brands, and magazine covers.

Rubio’s work has been exhibited at PB Modern + Contemporary, SCOPE Miami Beach, AAF Brussels, AAF Amsterdam, Art Market Budapest, and Kunsthalle Darmstadt in Germany, among others. He has also participated in museum, charity, and institutional collaborations, including projects with Disney Colombia, Renault Colombia, Maestro Cares, and MAMBO.

Ivonne Ferrer (b. 1968, Cuba) is a multidisciplinary artist whose practice spans printmaking, painting, ceramics, and conceptual work. She studied at the San Alejandro Academy of Fine Arts and the René Portocarrero National Silk-Screen Printing Workshop in Havana. Her first solo exhibition took place in 1990 at the Fidelio Ponce Gallery in Havana. That same year, Ferrer relocated to Spain, where she joined the Spanish artistic circuit and participated in the Universal Exposition Seville ’92 at the Arts Pavilion. In 1994, she exhibited in Copenhagen alongside artists Fernando Somoza and Julio Girona. Ferrer moved to the United States in 1995 and was featured in the 1997 documentary Marked by Paradise by Mari Rodríguez Ichaso. Her work has been presented in exhibitions including Cuban Trinomial at Botello Gallery in Puerto Rico and (R) Evolution Comics at the Aluna Art Foundation in Miami.
Beyond her studio practice, Ferrer has been active as a curator and educator. She curated Agave y Caña at the Mexican Cultural Institute in Miami and participated in the 2022 Miami Fiber Biennial at the Museum of Contemporary Art of the Americas. In 2023, she represented the Fine Art Ceramic Center at the NCECA Conference in Cincinnati. Since 2020, Ferrer has served as Director of the Fine Art Ceramic Center at the Museum of Contemporary Art of the Americas.

Ivonne Ferrer (b. 1968, Cuba) is a multidisciplinary artist whose practice spans printmaking, painting, ceramics, and conceptual work. She studied at the San Alejandro Academy of Fine Arts and the René Portocarrero National Silk-Screen Printing Workshop in Havana. Her first solo exhibition took place in 1990 at the Fidelio Ponce Gallery in Havana. That same year, Ferrer relocated to Spain, where she joined the Spanish artistic circuit and participated in the Universal Exposition Seville ’92 at the Arts Pavilion. In 1994, she exhibited in Copenhagen alongside artists Fernando Somoza and Julio Girona. Ferrer moved to the United States in 1995 and was featured in the 1997 documentary Marked by Paradise by Mari Rodríguez Ichaso. Her work has been presented in exhibitions including Cuban Trinomial at Botello Gallery in Puerto Rico and (R) Evolution Comics at the Aluna Art Foundation in Miami.
Beyond her studio practice, Ferrer has been active as a curator and educator. She curated Agave y Caña at the Mexican Cultural Institute in Miami and participated in the 2022 Miami Fiber Biennial at the Museum of Contemporary Art of the Americas. In 2023, she represented the Fine Art Ceramic Center at the NCECA Conference in Cincinnati. Since 2020, Ferrer has served as Director of the Fine Art Ceramic Center at the Museum of Contemporary Art of the Americas.

Noel Dobarganes is a Cuban-born artist whose practice revolves around time, memory, and the sensory power of color and texture. A graduate of the Escuela Profesional de Artes Plásticas Roberto Diago, Dobarganes constructs richly layered compositions where color, line, and ornament converge. His spaces are often dense—approaching a sense of horror vacui—reflecting his fascination with decoration and visual abundance. Texture plays a central role in his work, whether physical or implied, creating surfaces that feel seductive, vibrant, and almost tactile, inviting viewers into a sensorial dialogue with the painting.

Moving fluidly between abstraction and figuration, Dobarganes has explored rural landscapes, animal forms, portraits, and the human figure with equal confidence. As noted by critic and curator Piter Ortega, his work is marked by dynamic movement, bold chromatic contrasts, and a complex relationship between figure and background—often allowing the surrounding space to dominate and envelop the subject.

Ivonne Ferrer (b. 1968, Cuba) is a multidisciplinary artist whose practice spans printmaking, painting, ceramics, and conceptual work. She studied at the San Alejandro Academy of Fine Arts and the René Portocarrero National Silk-Screen Printing Workshop in Havana. Her first solo exhibition took place in 1990 at the Fidelio Ponce Gallery in Havana. That same year, Ferrer relocated to Spain, where she joined the Spanish artistic circuit and participated in the Universal Exposition Seville ’92 at the Arts Pavilion. In 1994, she exhibited in Copenhagen alongside artists Fernando Somoza and Julio Girona. Ferrer moved to the United States in 1995 and was featured in the 1997 documentary Marked by Paradise by Mari Rodríguez Ichaso. Her work has been presented in exhibitions including Cuban Trinomial at Botello Gallery in Puerto Rico and (R) Evolution Comics at the Aluna Art Foundation in Miami.
Beyond her studio practice, Ferrer has been active as a curator and educator. She curated Agave y Caña at the Mexican Cultural Institute in Miami and participated in the 2022 Miami Fiber Biennial at the Museum of Contemporary Art of the Americas. In 2023, she represented the Fine Art Ceramic Center at the NCECA Conference in Cincinnati. Since 2020, Ferrer has served as Director of the Fine Art Ceramic Center at the Museum of Contemporary Art of the Americas.

Ivonne Ferrer (b. 1968, Cuba) is a multidisciplinary artist whose practice spans printmaking, painting, ceramics, and conceptual work. She studied at the San Alejandro Academy of Fine Arts and the René Portocarrero National Silk-Screen Printing Workshop in Havana. Her first solo exhibition took place in 1990 at the Fidelio Ponce Gallery in Havana. That same year, Ferrer relocated to Spain, where she joined the Spanish artistic circuit and participated in the Universal Exposition Seville ’92 at the Arts Pavilion. In 1994, she exhibited in Copenhagen alongside artists Fernando Somoza and Julio Girona. Ferrer moved to the United States in 1995 and was featured in the 1997 documentary Marked by Paradise by Mari Rodríguez Ichaso. Her work has been presented in exhibitions including Cuban Trinomial at Botello Gallery in Puerto Rico and (R) Evolution Comics at the Aluna Art Foundation in Miami.
Beyond her studio practice, Ferrer has been active as a curator and educator. She curated Agave y Caña at the Mexican Cultural Institute in Miami and participated in the 2022 Miami Fiber Biennial at the Museum of Contemporary Art of the Americas. In 2023, she represented the Fine Art Ceramic Center at the NCECA Conference in Cincinnati. Since 2020, Ferrer has served as Director of the Fine Art Ceramic Center at the Museum of Contemporary Art of the Americas.

Ivonne Ferrer (b. 1968, Cuba) is a multidisciplinary artist whose practice spans printmaking, painting, ceramics, and conceptual work. She studied at the San Alejandro Academy of Fine Arts and the René Portocarrero National Silk-Screen Printing Workshop in Havana. Her first solo exhibition took place in 1990 at the Fidelio Ponce Gallery in Havana. That same year, Ferrer relocated to Spain, where she joined the Spanish artistic circuit and participated in the Universal Exposition Seville ’92 at the Arts Pavilion. In 1994, she exhibited in Copenhagen alongside artists Fernando Somoza and Julio Girona. Ferrer moved to the United States in 1995 and was featured in the 1997 documentary Marked by Paradise by Mari Rodríguez Ichaso. Her work has been presented in exhibitions including Cuban Trinomial at Botello Gallery in Puerto Rico and (R) Evolution Comics at the Aluna Art Foundation in Miami.
Beyond her studio practice, Ferrer has been active as a curator and educator. She curated Agave y Caña at the Mexican Cultural Institute in Miami and participated in the 2022 Miami Fiber Biennial at the Museum of Contemporary Art of the Americas. In 2023, she represented the Fine Art Ceramic Center at the NCECA Conference in Cincinnati. Since 2020, Ferrer has served as Director of the Fine Art Ceramic Center at the Museum of Contemporary Art of the Americas.

Ivonne Ferrer (b. 1968, Cuba) is a multidisciplinary artist whose practice spans printmaking, painting, ceramics, and conceptual work. She studied at the San Alejandro Academy of Fine Arts and the René Portocarrero National Silk-Screen Printing Workshop in Havana. Her first solo exhibition took place in 1990 at the Fidelio Ponce Gallery in Havana. That same year, Ferrer relocated to Spain, where she joined the Spanish artistic circuit and participated in the Universal Exposition Seville ’92 at the Arts Pavilion. In 1994, she exhibited in Copenhagen alongside artists Fernando Somoza and Julio Girona. Ferrer moved to the United States in 1995 and was featured in the 1997 documentary Marked by Paradise by Mari Rodríguez Ichaso. Her work has been presented in exhibitions including Cuban Trinomial at Botello Gallery in Puerto Rico and (R) Evolution Comics at the Aluna Art Foundation in Miami.
Beyond her studio practice, Ferrer has been active as a curator and educator. She curated Agave y Caña at the Mexican Cultural Institute in Miami and participated in the 2022 Miami Fiber Biennial at the Museum of Contemporary Art of the Americas. In 2023, she represented the Fine Art Ceramic Center at the NCECA Conference in Cincinnati. Since 2020, Ferrer has served as Director of the Fine Art Ceramic Center at the Museum of Contemporary Art of the Americas.

Marissa Oosterlee is a Dutch artist known for her hyperrealistic oil and airbrush portraits that invite quiet contemplation. Her work is defined by grace, stillness, and an almost meditative presence, like a suspended moment—intimate, sensual, and serene—where the viewer encounters the subject in a deeply personal way. Technically precise, her paintings move beyond realism, creating an emotional space where softness, purity, and introspection take center stage.

Water plays a central role in her work—not only as subject matter, but as metaphor. Fascinated by the sea and its constantly changing surface, she captures the way reality transforms beneath water—fluid, layered, and in motion.

Oosterlee’s work has received international recognition, including multiple awards for portraiture and hyperrealism, and has been exhibited widely across Europe and the United States. Her paintings have been shown at galleries and institutions in the Netherlands, Italy, France, Spain, and the U.S., and featured in leading art publications worldwide.

Marissa Oosterlee is a Dutch artist known for her hyperrealistic oil and airbrush portraits that invite quiet contemplation. Her work is defined by grace, stillness, and an almost meditative presence, like a suspended moment—intimate, sensual, and serene—where the viewer encounters the subject in a deeply personal way. Technically precise, her paintings move beyond realism, creating an emotional space where softness, purity, and introspection take center stage.

Water plays a central role in her work—not only as subject matter, but as metaphor. Fascinated by the sea and its constantly changing surface, she captures the way reality transforms beneath water—fluid, layered, and in motion.

Oosterlee’s work has received international recognition, including multiple awards for portraiture and hyperrealism, and has been exhibited widely across Europe and the United States. Her paintings have been shown at galleries and institutions in the Netherlands, Italy, France, Spain, and the U.S., and featured in leading art publications worldwide.

Kaiser Suidan hails from Milford, Michigan, where he grew up in a lively household as one of six brothers and one sister, rooted in first-generation Lebanese heritage. His early connection to the land—gardening, nurturing growth, and embracing organic forms—sparked a fascination with clay and transformation. His artistic journey took off in junior high and carried through high school, where he received numerous awards for his ceramic work. A full scholarship to the College of Creative Studies in Detroit followed, and he graduated with honors in 1993.

Working from a modest basement studio over two decades ago, Kaiser has grown far beyond that setting. His evolution spans roles as artist, entrepreneur, gallery-owner, curator, instructor, and mentor. Although his roots remain firmly in clay, his creative terrain has expanded into diverse mediums.

Auguste is a contemporary French Pop artist whose work captures the energy, nostalgia, and visual intensity that have made Pop Art a lasting cultural force. Born in Bordeaux, France, he has built an international reputation through bold, layered compositions that blend iconic imagery, luxury brands, superheroes, and references to popular culture, into vibrant works that feel both familiar and emotionally charged—awakening the nostalgia of childhood, cinema, music, sport, and fashion through instantly recognizable symbols and color.
Working across a wide range of materials and techniques, Auguste combines acrylic paint, collage, digital art, automotive lacquer, aluminum, resin, and bronze to create multidimensional compositions that blur the boundaries between fine art and contemporary culture.
Today, Auguste’s work is collected internationally and can be found in the private collections of figures including Leonardo DiCaprio, Rafael Nadal, Stanislas Wawrinka, Michael Jordan, and Barack Obama and Michelle Obama.
Alongside his artistic career, he remains actively involved in charitable initiatives in France and abroad, particularly those dedicated to expanding access to culture and the arts for young people in rural communities. Through both his work and his growing international presence, Auguste embodies a distinctly contemporary vision of the enduring “French Touch.”

Kaiser Suidan hails from Milford, Michigan, where he grew up in a lively household as one of six brothers and one sister, rooted in first-generation Lebanese heritage. His early connection to the land—gardening, nurturing growth, and embracing organic forms—sparked a fascination with clay and transformation. His artistic journey took off in junior high and carried through high school, where he received numerous awards for his ceramic work. A full scholarship to the College of Creative Studies in Detroit followed, and he graduated with honors in 1993.

Working from a modest basement studio over two decades ago, Kaiser has grown far beyond that setting. His evolution spans roles as artist, entrepreneur, gallery-owner, curator, instructor, and mentor. Although his roots remain firmly in clay, his creative terrain has expanded into diverse mediums.

Marta Fàbregas, a Barcelona native born in 1974, seamlessly blends her roles as an artist, activist, and photographer, with a foundation from the Institute of Photographic Studies of Catalonia. Her work deeply integrates feminist ideals, not just in her creations but also in her life. Fàbregas's passion for the visual arts led her to photography. She has an exceptional ability to capture the beauty in everyday moments, which defines the compelling nature of her work.

Her career highlights include working in esteemed Barcelona photo studios, including Ferran Freixa's, and co-founding Estudi La Fotogràfica with Marc Vidal in 1998. Fàbregas focuses on her studio, producing both personal art and commissioned projects for a diverse clientele, including museums and businesses. She is also a dedicated educator, offering classes, workshops, and seminars, contributing significantly to SETBA Foundation, directing art programs for marginalized groups. Her exhibitions span local and international venues, and her work is recognized in private collections.

Marta Fàbregas, a Barcelona native born in 1974, seamlessly blends her roles as an artist, activist, and photographer, with a foundation from the Institute of Photographic Studies of Catalonia. Her work deeply integrates feminist ideals, not just in her creations but also in her life. Fàbregas's passion for the visual arts led her to photography. She has an exceptional ability to capture the beauty in everyday moments, which defines the compelling nature of her work.

Her career highlights include working in esteemed Barcelona photo studios, including Ferran Freixa's, and co-founding Estudi La Fotogràfica with Marc Vidal in 1998. Fàbregas focuses on her studio, producing both personal art and commissioned projects for a diverse clientele, including museums and businesses. She is also a dedicated educator, offering classes, workshops, and seminars, contributing significantly to SETBA Foundation, directing art programs for marginalized groups. Her exhibitions span local and international venues, and her work is recognized in private collections.

Harold Rubio is a contemporary artist whose work transforms familiar cultural symbols into layered reflections on identity, memory, and desire. Working with plastilina in mixed media, he elevates a material often associated with childhood into a sophisticated artistic language that challenges traditional ideas surrounding fine art, beauty, and cultural hierarchy.

Drawing inspiration from classical painting, religious iconography, editorial imagery, and popular culture, Rubio creates richly textured works that blur the boundaries between painting and sculpture, exploring the emotional and symbolic weight carried by everyday objects—cars, motorcycles, sneakers, luxury brands, and magazine covers.

Rubio’s work has been exhibited at PB Modern + Contemporary, SCOPE Miami Beach, AAF Brussels, AAF Amsterdam, Art Market Budapest, and Kunsthalle Darmstadt in Germany, among others. He has also participated in museum, charity, and institutional collaborations, including projects with Disney Colombia, Renault Colombia, Maestro Cares, and MAMBO.

Harold Rubio is a contemporary artist whose work transforms familiar cultural symbols into layered reflections on identity, memory, and desire. Working with plastilina in mixed media, he elevates a material often associated with childhood into a sophisticated artistic language that challenges traditional ideas surrounding fine art, beauty, and cultural hierarchy.

Drawing inspiration from classical painting, religious iconography, editorial imagery, and popular culture, Rubio creates richly textured works that blur the boundaries between painting and sculpture, exploring the emotional and symbolic weight carried by everyday objects—cars, motorcycles, sneakers, luxury brands, and magazine covers.

Rubio’s work has been exhibited at PB Modern + Contemporary, SCOPE Miami Beach, AAF Brussels, AAF Amsterdam, Art Market Budapest, and Kunsthalle Darmstadt in Germany, among others. He has also participated in museum, charity, and institutional collaborations, including projects with Disney Colombia, Renault Colombia, Maestro Cares, and MAMBO.

Harold Rubio is a contemporary artist whose work transforms familiar cultural symbols into layered reflections on identity, memory, and desire. Working with plastilina in mixed media, he elevates a material often associated with childhood into a sophisticated artistic language that challenges traditional ideas surrounding fine art, beauty, and cultural hierarchy.

Drawing inspiration from classical painting, religious iconography, editorial imagery, and popular culture, Rubio creates richly textured works that blur the boundaries between painting and sculpture, exploring the emotional and symbolic weight carried by everyday objects—cars, motorcycles, sneakers, luxury brands, and magazine covers.

Rubio’s work has been exhibited at PB Modern + Contemporary, SCOPE Miami Beach, AAF Brussels, AAF Amsterdam, Art Market Budapest, and Kunsthalle Darmstadt in Germany, among others. He has also participated in museum, charity, and institutional collaborations, including projects with Disney Colombia, Renault Colombia, Maestro Cares, and MAMBO.

Harold Rubio is a contemporary artist whose work transforms familiar cultural symbols into layered reflections on identity, memory, and desire. Working with plastilina in mixed media, he elevates a material often associated with childhood into a sophisticated artistic language that challenges traditional ideas surrounding fine art, beauty, and cultural hierarchy.

Drawing inspiration from classical painting, religious iconography, editorial imagery, and popular culture, Rubio creates richly textured works that blur the boundaries between painting and sculpture, exploring the emotional and symbolic weight carried by everyday objects—cars, motorcycles, sneakers, luxury brands, and magazine covers.

Rubio’s work has been exhibited at PB Modern + Contemporary, SCOPE Miami Beach, AAF Brussels, AAF Amsterdam, Art Market Budapest, and Kunsthalle Darmstadt in Germany, among others. He has also participated in museum, charity, and institutional collaborations, including projects with Disney Colombia, Renault Colombia, Maestro Cares, and MAMBO.