Sims Contemporary


509 W 23rd Street
NY 10011 New York
United States
Phone: 212-814-6584
Email : [email protected]
URL : www.simscontemporary.com


About

Nestled in the vibrant heart of Chelsea, NY, Sims Contemporary’s mission is to collaborate with visionary artists while providing a platform that nurtures their creativity and propels their careers to new heights. We aspire to be a catalyst for one’s artistic evolution and help them achieve the recognition and success they deserve through our unwavering commitment to artists.
We believe that art is more than just a visual object; it is a powerful conduit for dialogue, introspection, and transformation. Sims Contemporary embraces diversity in all its forms and celebrates the kaleidoscope of perspectives that shape our world. From contemporary marvels
to timeless classics, each piece curated within our walls serves as a testament to the endless possibilities of creativity.

CJ Cowden Kitty Lips - Pink

Sharon Pierce McCullough Rojo

Jose Rivera In Between Eden

Marita Ferro Red Corrals Reef

Tetiana Hordiichuk The "Ocean" Series, Ocean 4

About the Artist

Kitty Lips is pop art with a purr and a punchline. In this cheeky series, five feline faces stare you down with wide turquoise eyes and unapologetically pouty red lips. Rendered in bold color blocks: fuchsia, green, gold, black, and red; each kitty brings its own mood, but they all share the same sultry smirk.

It’s glam, it’s weird, it’s a little seductive and yes, the lips are exactly what you think they are. A playful nod to the more, shall we say, personal parts of the feminine mystique, these cats aren’t just cute they’re in on the joke.

Kitty Lips doesn’t take itself too seriously, and that’s exactly the point. It’s flirty, funny, and just a little bit filthy.
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Rojo is a minimalist, contemporary meditation on the horse, a form that has quietly influenced the core of my practice for as long as I can remember. This painting is part of an ongoing body of work devoted to the subtle power and elegance of the equine form.

The horse has been with me since childhood, a constant figure in my imagination and memory. Over time, its shape has become less about realism and more about essence a distilled silhouette, a whisper of motion, a symbol of freedom and strength.

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In Between Eden is a meditation on the fragile tension between the natural world and the structures man has imposed upon it. At its center, a woman stands in her elemental form unadorned, unburdened cradling a cluster of unripe bananas. They are symbols of promise, of youth held just before ripeness, of fertility not yet spent.

She is both origin and offering, a quiet force of creation. This work honors the beginning: woman as the first garden, the bearer of life, the one through whom man came to be.
Red Corals Reef is a tactile textile wall sculpture—an invitation to see with the hands and feel with the heart. Inspired by Corallium rubrum, the endangered red coral of the Mediterranean and Atlantic, this piece pays homage to a vanishing marine forest by reimagining its delicate forms in fiber.
Red coral, a protected species in Portugal since 2021, once adorned jewelry boxes but now clings to survival. Found at depths between 10 and 200 metres, its arborescent colonies grow slowly, sometimes living for over a hundred years. This sculpture echoes their branching beauty—not through extraction, but through transformation.
In mythology, coral is steeped in wonder. It was born, the Greeks said, from Medusa’s blood, turning to stone as it touched the sea. Romans believed it guarded children and healed venomous wounds. These stories remind us that coral has always stirred awe—not just for its colour or form, but for its spirit.
Here, coral is reborn in soft textiles—stitched, knotted, and layered by hand. Visitors are invited to touch, to explore with their fingers the textures and rhythms of the sea without harm. This wall piece becomes both a sensory landscape and a quiet act of resistance against loss.
By translating the coral’s presence into cloth, Red Corals becomes a space of connection. It asks: can we admire without possessing? Can we remember without wounding? Through touch, this sculpture tells us yes—and offers the enduring beauty of nature not taken, but honoured.
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I enjoy creating art photography by transforming objects, elements, textures, and shapes into abstraction. My goal is to create works that do not resemble specific objects, but rather offer a new perspective on them. Light, shadows, and the angle of photography play an important role in this process. The “Ocean” series embodies this approach. These are photos of a canyon, reinterpreted through a new vision that evokes the ocean.
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