Madhouse



J Shia The Manipulated

Jay Donovan Stingray

J Shia RE Indian

J Shia Buggati Wire Form

Cristian Sosa Tochtli

Cristian Sosa Space traveler

J Shia Micro-illumination

About the Artist

BSA A65 “The Manipulated”

The Manipulated marked the genesis of J’s Pareidolia Series and a defining moment in the evolution of the “art bike.” Hand-built in 70 days, this singular machine merges fine art, found objects, and custom motorcycle fabrication into a fully functional sculptural work. From its pull-start mechanism fashioned from an antique bolt-cutter arm to a taillight made from a Boston sewer drain, every detail transforms the discarded into the unexpected.

Internationally recognized, The Manipulated became the catalyst that set J’s career in motion and helped establish the motorcycle as a legitimate medium for contemporary art.
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Completed in 2019, Stingray is a sculptural exploration of what an electric motorcycle could become when freed from the visual conventions established by the internal combustion engine.

While electric motorcycles offer remarkable technological potential, their forms have often remained restrained by the absence of the mechanical drama that defines traditional motorcycles. Stingray addresses this challenge by allowing aerodynamics, cooling, and sculpture to become one unified expression.

The entire body is hand-formed from aluminum using traditional coach-building techniques. Beneath its flowing surfaces, a network of integrated air tunnels directs cooling air through the sculpture itself, making thermal management an intrinsic part of the design rather than an engineering afterthought. Every curve serves both aesthetic and functional purposes, blurring the boundary between sculpture and machine.
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The RE Indian emerged as J’s response to her own critical success—and the fear of becoming a “one-hit wonder.” Rather than repeat the formula of The Manipulated, she created a new technical and conceptual challenge: a motorcycle operated by a functional foot throttle fashioned from an antique hay hook and vintage Brannock foot-measuring tools.

A reimagined swing arm, adjustable dual-monoshock system, egg slicer tail light, modified 1940s Indian fender, and seat pan constructed from an antique Radio Flyer yoke transform utilitarian remnants into functional sculpture. More than a motorcycle, the work marked J’s continued movement into the art world, expanding her practice from custom fabrication into a distinct language of found-object assemblage, mechanical invention, and sculptural storytelling.
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