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Contemporary Art Gallery

111 SW 3rd Street
Suites 600-602
Florida 33130 Miami
United States
Phone: 7862625886
Email : [email protected]
URL : www.contemporaryartprojectsusa.com

Tata Fernandez (Director)

Carlos Julio Pabon (Director of Sales and Marketing). In charge of all marketing and sales department online and on site)

Doris Silva (Art Gallery Associate). In charge of all Gallery Events as well as Fairs.)

About

Founded in 2014 by Tata Fernandez, Contemporary Art Gallery with headquartered in Miami and New York is dedicated to presenting innovative and thought-provoking contemporary art. The gallery offers a broad range of professional services, including personalized art consulting, acquisition guidance, artist sourcing, and the development of both private and corporate collections under the direction of Carlos Julio Pabon, Director of Sales and Marketing.

Our curated exhibitions feature an international roster of both established and emerging artists working across diverse disciplines—painting, sculpture, photography, mixed media, installation, video, and digital art.

Each year, the gallery participates in prominent art fairs worldwide, expanding visibility for our artists and providing collectors with opportunities to encounter fresh perspectives and distinctive artworks from across the globe.

At the heart of our mission is the commitment to foster authentic connections between artists, collectors, and audiences. We believe that meaningful collaboration and engagement within the art community lead to powerful creative experiences. Through these efforts, Contemporary Art Gallery seeks to inspire, connect, and open the door for all to experience the transformative power of art.

Alina Poloboc Picasso Self Portrait

Carola Orieta Sperman Violet Orchid Sonata

Cuchi Taborda Lilas #43

Pablo Fernandez Jr El Despertar de un Alma

Carola Orieta Sperman Fragments of Identity

Christian A. Albarracin Individuals of the City Series: Backs

Evangeline Ang Knotty

Michele Utley-Voigt The Rapture

Shubhi Gupta Scattered Wonder

Betti Brillembourg Shall we?

Deborah Argyropoulos Ocean Eyes

Ethel Gittlin Superstar

Montana Engels Aquoise

Catherine Devine Between Lines + Light

Carmine Bilardello Marilyn Monroe created with Tape

Luis Kaiulani Red Cross Lines

Sergio Gutierrez Blue Channel

About the Artist

Picasso Self Portrait is a painting inspired by the imaginary world of artist Alina Poloboc: a universe filled with darkness and mystery, yet also with color and clarity. A world that resembles a Russian roulette, where one never knows whom to trust.
In the composition, the blue character paints a canvas titled Picasso Self-Portrait. On it, a red serpent emerges —a symbol of deceit, lies, and betrayal— alongside a yellow bird, representing freedom and love. Trusting in the serpent’s goodness, the bird becomes trapped, a victim of its own innocence.

The work reflects on the fragility of trust in an imaginary world where one cannot always rely on others.
Sonata Series — Special Collection
This 3D unique sculpture, titled Sonata Series, is an exquisite fusion of precision and artistry. Crafted from laser-cut thermal acrylic, each element is modeled and meticulously assembled by hand, resulting in a composition that balances structural innovation with poetic elegance. The piece is mounted on a gold mirror base, encapsulated within a crystal-clear glass box, and presented on a glass pedestal, amplifying its luminous interplay of reflection, transparency, and depth.
The Sonata Series evokes the harmony of a musical composition — a visual symphony where light, material, and form interact in rhythmic balance. The mirrored base and transparent enclosure create a dynamic dialogue between solidity and illusion, transforming the viewer’s perspective as they move around the piece. This work stands as part of a Special Collection, celebrating the convergence of technology, craftsmanship, and conceptual beauty in contemporary sculpture.
Her practice is deeply rooted in the contemporary textile movement, where materiality, process, and concept converge. A lifelong dedication to textiles is seamlessly interwoven with her exploration of metal as a sculptural counterpart. Through her close personal and professional proximity to sculpture, she was immersed in the language of metalworking—discovering its techniques, structures, and expressive potential. This experience became a defining influence in her artistic evolution.
Motivated by this dual foundation, she forges a refined visual dialogue between the softness of cotton threads and the structural integrity of aluminum. By uniting these contrasting materials, her work embodies a balance between fragility and strength, tradition and innovation. Each composition transforms familiar materials into contemporary artifacts, revealing resilience through delicacy and elegance through industrial form. The result is a body of work that elevates textile art into a sculptural and conceptual language—one that honors craftsmanship while redefining its place within contemporary art.
This work unfolds as a surreal and meditative vision: a female figure with closed eyes, suspended in an atmosphere of introspection and cosmic expansion. Her serene face is encased within a transparent sphere—evoking at once an aquarium and a space helmet—where aquatic plants drift and fish move in quiet harmony.

Through this poetic imagery, the artist invites contemplation on the delicate boundaries between dream and awareness, isolation and inner liberation. Water becomes a vessel of the subconscious, while the vastness of space mirrors the infinite dimension of thought. The result is an intimate cosmos where silence, nature, and the human spirit coexist in perfect equilibrium.
“Fragments of Identity” explores the multiplicity of the self, how memory, experience, and perception overlap to form a fractured yet cohesive portrait of human existence.
“Each fragment” carries a memory, a reflection of who we were and who we are becoming together, they whisper the infinite layers of identity.”
For Albarracín, paper is not merely a surface or support but an active participant in the creative process—an element that both receives and generates form. He explains, “Paper’s delicacy is deceptive; beneath its fragility lies a noble complexity. It resists convention, demanding technical precision while offering infinite expressive potential. Through my ongoing research, I have developed a personal language within this medium, one that distinguishes my work from others who explore similar materials.” His compositions invite viewers to consider the tension between control and spontaneity, permanence and ephemerality.

Knotty is a mesmerizing fusion of texture, light, and movement. Created with acrylic and liquid metal, the piece evokes the organic tension of a form both fluid and bound — a knot that symbolizes unity, energy, and the interconnection of all elements. The metallic pigments capture and reflect light, giving the surface a dynamic, almost breathing quality, while the layered acrylic textures create depth and motion.

Through this work, the artist explores the dialogue between material and emotion, solidity and softness. Knotty becomes a meditation on complexity made beautiful — a sculptural painting that invites the viewer to lose themselves in its rhythmic flow of color and light.
The Rapture is a not‑so‑still life in which handbags and heels erupt from a closet like confetti and constellations, honoring feminine power, self‑possession, and playful wit.
The Rapture advances Michele Utley Voigt’s Domestic Situation Series: by treating the closet as both architecture and engine. The painting opens on the instant of release: handbags and shoes vault from their shelves in a centrifugal bloom, casting shadows that read like exclamation points. The scene is humorous and high‑spirited, yet it resists caricature. Each accessory- the stand‑in for mornings, meetings, parties, private victories - holds a story, and together they assemble a portrait without a body.
Shubhi Gupta, born in India in 1981 and currently based in Singapore, is a contemporary oil painter whose work blends emotional subtlety with evocative storytelling. She holds a degree in Fine Arts from LASALLE College of the Arts and has developed a practice rooted in still life and portraiture that explores memory, identity, and the universality of human experience.
Gupta’s work has been widely recognized. In 2017, she received the Clifton Art Prize – People’s Choice Award (Singapore). She was a finalist for the Signature Art Prize in London (2018/19), and her work was selected for the Chelsea International Fine Art Competition Exhibition (2021). She is also a recipient of the Collector’s Vision International Art Award from Contemporary Art Curator Magazine. Her paintings form part of notable private collections in Singapore, the Netherlands, and the United States, as well as the corporate art collections of Standard Chartered Bank in Hong Kong and India. She has participated in prominent national and international art fairs, further reinforcing her growing global presence.
Gupta’s paintings often depict everyday moments rendered with a sense of nostalgia and emotional resonance. Her figures are intentionally faceless—an artistic decision that removes markers of race, nationality, and identity, allowing viewers to connect with the work on a deeply personal and universal level. She believes that visible identity can sometimes restrict perception; by omitting facial features, she invites the viewer to encounter the work beyond societal constructs and engage with the shared human emotions embedded within each piece.

“Shall we?” is an invitation.
An instinctive movement toward others — to gather, to belong, to create something larger than oneself.
Each piece stands alone, yet seeks connection, echoing the human impulse to unite, to share strength, to find meaning in proximity.
In this quiet convergence, individuality softens, and a new collective form emerges — imperfect, alive, and whole.
Ocean Eyes invites us to glimpse the weight and wonder of memory through the gaze of a figure whose calm, almost tidal presence bridges land and sea. The piece blends photographic realism with layered, sculptural swirls that mimic the ceaseless movement of water, suggesting that identity itself can be fluid, refracted, and buoyed by currents of emotion. The eyes, clear and searching, anchor the composition as a quiet sensor for both personal history and collective lore—mirroring how the ocean holds stories we have yet to tell.
Medium and technique combine to form a pristine surface that feels both contemporary and timeless: a digital print embedded within a sculptural frame, punctuated by metal fastenings that echo the ocean’s ringed horizons and the ship’s inevitable anchors. The layered motifs, swirling like waves, invite viewers to lean in, to follow the folds of color and line, and to find stillness amid motion.
Overall, Ocean Eyes is a meditation on perception, resilience, and the quiet awe inspired by the sea—a portrait of how looking outward can also illuminate what lies within.
I specialize in feminine portrait photography, guided by the belief that every woman carries an inner light waiting to be revealed. My work is devoted to bringing that radiance to the forefront through the thoughtful interplay of lighting, composition, and emotion.

Each session is crafted as an intimate and empowering experience—one that allows every subject to express her authentic self with confidence and ease. Beyond creating a beautiful image, my goal is to produce a timeless work of art that captures individuality, evokes emotion, and celebrates the strength, grace, and essence of womanhood. Every portrait becomes both a story and a tribute to the remarkable women I have the privilege to photograph.
Montana Engels is a Belgian contemporary artist internationally recognized for inventing a distinctive portrait technique composed entirely of hand-painted stripes. Her work appears abstract when viewed up close but reveals a highly realistic portrait from a distance, a visual transformation that has become her signature style. Her career gained national visibility after her appearance on Belgium’s Got Talent, which led to a live commission for the Hazard football family and opened the door to a growing list of prestigious projects, including paintings for international celebrities, the Prince of Belgium, live performances at Tomorrowland, and numerous private, corporate, and luxury events worldwide. She has collaborated with major global brands such as MAC Cosmetics, Disney, Aston Martin, Porsche, MINI, PlayStation, Bombay Sapphire, Jägermeister, The National Lottery, Sheraton, Qmusic, Monster, Lolaliza, Gaston Luga, Tao, Bowmore, BinckBank, Deme, Suspicious Antwerp, and the Antwerp Diamond Museum, among many others. Montana studied at the Antwerp International School, where she specialized in portraiture, won the IB Art Award in 2011, organized her first exhibition, and graduated with a perfect 100% score in Fine Arts. She later continued her education in Paris at IESA, studying Art History and Marketing in French while refining her practice through portraits inspired by emotion and the visual poetry of the city. Her artistic approach is rooted in her self-developed “Striped Technique,” a precise system of line-based construction in which light, shadow, and depth are determined by the spacing, thickness, and rhythm of each stroke. This method creates a deliberate contrast between abstraction and realism, forming a layered optical experience. Guided by the belief that “Art should always remain a skill,” Montana combines innovation with technical mastery, affirming that while abstraction invites feeling, true artistry lies in craftsmanship, beauty, originality, and enduring quality.
Throughout my artistic practice, I explore a diverse range of mediums, each chosen with deliberate purpose. Delicate, hand-drawn lines—reminiscent of the fine threads in fabric—form the foundational language of my work. I employ simple, precise lines and the deliberate arrangement of everyday shapes to create backdrops that ground a composition with balance and proportion.
From intimate works on paper to expansive canvases, my practice elevates precision and expressive intention, demanding patient, meticulous focus. I draw inspiration from visionaries such as Mondrian, the Bauhaus movement, Ellsworth Kelly, and Jackson Pollock, among many others, and I strive to translate their enduring aesthetics into my own creations.
Ultimately, my aim is to evoke beauty through simplicity, letting restrained elements merge to reveal a clarity of form and atmosphere.
Carmine's work has evolved from controlled Pollock like abstracts to images of flags & hearts. All controlled by the masked tight line. The evolution continues with the deconstruction of the line (and tape) with the creation of the portrait, and now comes the duckies.......
“Cross Lines” stands as one of Luis Kaiulani’s most sought-after works, distinguished by its striking red cross — a symbol of energy, balance, and visual power. Through a meticulous creative process, Luis begins by capturing the essence of an idea and designing each sculpture in harmony with the space it will inhabit. He then cuts, welds, anchors, and paints each element by hand, culminating in an installation that achieves total unity between the envisioned form and its physical environment. The result is a dialogue between structure, space, and emotion — a work that transforms its surroundings through precision and passion.
This series embodies the tension between two realms: the millimetric precision and architectural rigor of the mesh, and the spontaneous, emotional depth of the canvas. Through vivid layers of color and texture, his works affirm that precision and control cannot exist without imperfection, passion, and, at times, a chaos of profound beauty. In this balance, Gutiérrez reveals the essence of his vision—where craftsmanship transforms into art, and innovation unfolds as poetry.