Montana’s signature method uses only vertical, hand‑painted stripes to form portraits and artworks. Up close, the lines look abstract and imperfect; from a step back, they coalesce into a realistic, detailed image
Each stripe is painted individually, with subtle variations in line, color, and thickness to create light, depth, and movement. The process demands extreme focus, patience, and precision, and every piece is a one‑of‑a‑kind 1/1 original
Born in Belgium, Montana was immersed in creativity from childhood, inspired by her father and grandfather. She studied at the Antwerp International School, excelling in Fine Arts and winning the IB Art Award in 2011, graduating with a perfect score
She later studied Art History and Marketing in Paris, refining her skills while continuing to paint.
Her striped technique evolved over two years of experimentation on paper before moving to canvas, leading to rapid international recognition.

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Contemporary Sculpture | Beyond the Visible
Colombian artist Christian Albarracín transforms paper into extraordinary three-dimensional sculptures, challenging traditional perceptions of material, form, and artistic expression.
Through an innovative technique developed over years of experimentation, he gives this delicate medium remarkable strength, texture, and sculptural presence.
His compelling series “City Subjects: From Behind” emerged during the pandemic, reflecting the isolation, anonymity, and emotional distance experienced in urban life. By portraying figures turned away from the viewer, Albarracín invites us to contemplate identity, human connection, and the invisible barriers of modern society.
Discover the art of Christian Albarracín at Contemporary Art Gallery USA.

My work explores memory, identity, and our fascination with beauty, status, and wealth. Using historical and contemporary figures adorned with exaggerated jewels and embellishments. I create playful yet thought-provoking works that question the role of ornamentation in shaping perception. Through humor, glamour, and pattern, I invite viewers to consider whether these adornments define who we are-or if, without them, we are fundamentally the same.
Cuban American artist who resides in Coral Gables. He is self-taught and his career began in circa 1988. Arnold’s areas of expertise are: high fashion photography; and Surrealist portrait painting with an emphasis on the human face. He primarily utilizes a mixed media technique: which consists of ink, pencil, and acrylic on paper infusing both of the above-mentioned genres.
Moreover, he has exhibited his work extensively in Mexico, Spain, France and the United States. He is currently showing a series of portraits inspired by European and Asian nobility of the 15th and 16th century, depicted within the modernist paradigm.

Born in Caracas, Venezuela, in 1961, Wuilfredo Soto is an accomplished Venezuelan-American contemporary visual artist based in Miami, Florida. Recognized for his innovative exploration of geometric abstraction, optical illusion, and kinetic perception, Soto has developed a distinctive artistic language that challenges the traditional boundaries between painting, sculpture, architecture, and installation.
A self-taught artist with more than two decades of artistic development, Soto draws inspiration from the legacy of Latin American geometric abstraction and kinetic art. His works have been presented at international exhibitions and art fairs, including Art Miami, Art Palm Beach, SCOPE New York, Art Santa Fe, and Affordable Art Fair New York.
His exhibition history also includes the 6th International Biennial of Kinetic Art in Boynton Beach (2023) and OCHO: Eight Flourishing Geometric Artists in Miami (2024), curated by Katherine Chacón at Miami International Fine Arts.
Artistic Statement
Wuilfredo Soto's artistic practice explores the fascinating relationship between geometry, movement, light, and human perception. Through meticulously constructed geometric compositions, the artist transforms repetition, symmetry, and mathematical progressions into dynamic visual experiences that transcend the limitations of a static surface.
His creative process begins with carefully organized sequences of geometric forms that evolve through systematic repetition, creating complex yet harmoniously balanced structures. These compositions generate compelling optical illusions, producing sensations of vibration, depth, movement, and spatial transformation.
Working with unconventional and industrial materials such as aluminum, plexiglass, wood, steel, and acrylic, Soto investigates the possibilities of three-dimensional construction while maintaining the expressive and spiritual essence of his work.
Through the interplay of light, shadow, color, and geometric precision, Soto challenges the viewer to become an active participant in the artwork, experiencing a visual transformation that changes according to perspective and movement.
His exploration of fractal geometry and modular repetition creates a dialogue between mathematical order and artistic freedom. Simple geometric patterns evolve into intricate spatial arrangements, revealing unexpected dimensions and inviting contemplation of the relationship between space, time, and perception.
Rooted in the influential traditions of Latin American geometric abstraction and kinetic art, Soto's work offers a contemporary interpretation of these movements through innovative materials, technology, and architectural sensibility.
For Wuilfredo Soto, geometry is not merely a formal language but a means of expressing movement, energy, and the invisible connections between the physical and spiritual worlds.
His compositions invite viewers to discover a constantly evolving visual universe in which precision and imagination coexist, transforming ordinary space into an immersive experience of rhythm, harmony, and optical fascination.

Alejandro Rauhut, born in Colombia in 1981, Rauhut studied industrial design at the Universidad de los Andes and graphic design at the Universidad La Salle, both in Bogotá. In addition to Contemporary Art Gallery, his work has been exhibited at the Edgar Negret Museum as well as numerous galleries including Galería La Cometa, Galería Elvira Moreno, and RAUM in Bogotá, Gallery 21 in Tokyo, and Joseph Turenne Galerie in Paris. He has also participated in several international and national art fairs. Rauhut has also collaborated with BMW, exhibiting his light installations and other works during the launch of the new BMW 7i series.
Series of light works built around that truth. Behind bronze glass, a ring of color glows around a perfect black circle. One half of the glass is clear, the other frosted, so the same light appears both revealed and veiled, while a mirror folds the viewer's own reflection into the image and opens an infinite tunnel of depth.
This series lives in the distance between what we are and what we let others see. The light is deliberately imperfect, a circle it almost is, set at the same center as a black form that is flawless: the human and the absolute, sharing one point. Each piece moves between two colors, a shift felt in the body before it is understood.
The works shift with the room: in daylight they return your reflection; in darkness, only the inner light remains.

Alina Poloboc, Born in Bender, Moldova, She is an internationally exhibited contemporary artist whose distinctive visual language combines figurative expression, vibrant colors, and imaginative storytelling. Her artistic journey has taken her from Europe to Miami, with works presented at international art fairs, including CONTEXT Art Miami, Palm Beach Modern + Contemporary, and Art Santa Fe.
Inspired by her artist residency in Japan, The Table Between Us celebrates cultural discovery, human connection, and the beauty of shared traditions.
Through her signature blue figures dressed in traditional Japanese attire, Poloboc creates a whimsical gathering around an abundant table of culinary delicacies. Surrounded by cherry blossoms, Mount Fuji, and the iconic rising sun, the composition pays homage to Japan's rich cultural heritage while embracing the artist's playful contemporary aesthetic.
The dining table becomes a powerful symbol of unity, hospitality, and belonging, a place where cultural differences dissolve through shared experiences.
With intricate details, expressive colors, and imaginative symbolism, Poloboc transforms her Japanese experience into a universal celebration of friendship, cultural exchange, and the simple yet profound joy of coming together.

Carola Orieta-Sperman is an Argentine-born contemporary artist based in Miami, Florida. With a background in architecture, fashion, and interior design, her multidisciplinary practice explores the intersection of textile art, sculpture, and innovative materials.
Drawing inspiration from traditional textile techniques, she combines fibers with heat-molded acrylic to create intricate, fluid compositions that challenge the boundaries between sculpture and fabric. Her works explore movement, texture, and organic forms, transforming rigid materials into expressive three-dimensional artworks.
Selected exhibitions and presentations include:
• 2026 – Unbound: Women in the Arts, Miami Dade College West Campus Gallery, Miami.
• 2025 – Threads of Transformation: Contemporary Textile Art, Miami Dade College West Campus Gallery.
• 2024 – Heatwave Sculptures: The Art of Heat-Molded Motion, solo exhibition, Miami Dade College West Campus Gallery.
• Bergdorf Goodman, prestigious Seventh Floor Gallery, New York.
Through her innovative approach to materials and form, Orieta-Sperman continues to expand the dialogue between contemporary sculpture, textile traditions, and artistic experimentation.

OUROBORO. Series Wall Relief
César A. Garcia Pedraza is a Colombian contemporary artist whose sculptural practice explores geometric abstraction, dimensionality, and the dynamic relationship between color, form, and space. His distinctive artistic language combines architectural precision, intricate layering, and vibrant compositions, transforming geometric structures into powerful expressions of movement and visual harmony.
García has exhibited his work at national and international art fairs, gaining recognition among collectors and contemporary art audiences. In Colombia, he is represented by Duque Arango Galería, one of the country's prestigious contemporary art galleries, while in the United States, he is represented by Contemporary Art Gallery USA, further expanding his presence in the international art market.
OUROBORO | Artist Statement
Ouroboro is a captivating sculptural exploration of infinity, transformation, and the eternal cycle of existence. Inspired by the ancient symbol of the Ouroboros—a serpent consuming its own tail—the artwork symbolizes the continuous relationship between endings and beginnings, destruction and rebirth.
Through meticulously assembled geometric elements, García reinterprets this timeless symbol through a sophisticated contemporary aesthetic. The vibrant progression from deep cobalt blue to turquoise and emerald, green creates a mesmerizing sense of movement, suggesting the constant evolution of nature, energy, and life.
The sculpture's circular composition, intricate layering, and architectural construction establish a compelling dialogue between mathematical precision and organic fluidity. Each geometric element contributes to a rhythmic visual language that transforms a static structure into an expression of perpetual motion.
Ouroboro invites viewers to contemplate the infinite cycles of existence, reminding us that transformation is constant and that every ending carries the promise of a new beginning.
A remarkable fusion of ancient symbolism, architectural geometry, and contemporary sculptural expression.

Originally from El Salvador, Dabers is a contemporary artist whose work explores the relationship between nature, light, movement, and reflection. Through the use of metallic surfaces and organic forms, the artist creates sophisticated sculptural compositions that interact with their surroundings, transforming architectural spaces into immersive visual experiences.
Represented by Contemporary Art Gallery USA, Dabers has exhibited internationally, including at Affordable Art Fair New York in September 2026 with a very successful participation.
Artist Statement of Fluttering Skies is a captivating sculptural installation inspired by the delicate beauty and graceful movement of butterflies in flight. Composed of individually crafted, silver-chromed metal butterflies, the artwork explores the poetic relationship between nature, light, and transformation.
The reflective surfaces capture and reinterpret their surroundings, creating an ever-changing interplay of illumination, shadows, and movement. As viewers move through the space, the installation reveals new perspectives, transforming a static wall into a dynamic and luminous composition.
Symbolizing freedom, renewal, resilience, and metamorphosis, the butterflies embody the beauty of life's continuous evolution. The contrast between the strength of metal and the delicacy of their forms establishes a compelling dialogue between permanence and fragility.
Through its elegant arrangement and architectural presence, Fluttering Skies transcends traditional wall sculpture, bringing a sense of weightlessness, harmony, and sophistication to contemporary spaces.
Ultimately, the installation is a poetic celebration of freedom and transformation, inviting viewers to experience the extraordinary beauty of nature through light, reflection, and sculptural expression. Represented by Contemporary Art Gallery USA

American contemporary artist Doris Tinsley Nadel is recognized for her expressive abstract compositions, exploring the relationship between color, texture, movement, and emotional harmony. Her artistic journey began in childhood and evolved into a distinctive contemporary practice combining acrylic painting with experimental mixed-media techniques. Her work has been exhibited in galleries and prominent international art fairs, including, Affordable Art Fair New York, Art Santa Fe, and CONTEXT Art Miami.
In Serene, Tinsley Nadel explores the delicate balance between tranquility, nature, and emotional expression. Through the harmonious layering of acrylic, translucent rice paper, and mixed media on wood panel, the artist creates a contemplative composition that celebrates stillness and the subtle beauty of abstraction.
The interplay of delicate textures, atmospheric depth, and carefully composed layers evokes a sense of serenity, inviting viewers to pause and reconnect with moments of inner peace.
Serene becomes a poetic meditation on harmony, transformation, and the quiet elegance of the natural world.
Presented by Contemporary Art Gallery USA

Ethel Gittlin is an established American contemporary artist whose multidisciplinary practice explores the intersection of photography, painting, memory, fashion, and cultural identity. Her artistic evolution spans abstraction, semi-realism, and innovative mixed-media compositions incorporating original photography, acrylics, oils, and richly textured surfaces.
Gittlin has exhibited extensively throughout the United States, including at Art Miami, CONTEXT Art Miami, and Art on Paper in New York. Her work is represented in prestigious private and corporate collections, as well as U.S. Embassy collections in Moscow, Estonia, and Qatar. She is represented by Walter Wickiser Gallery in New York and Contemporary Art Gallery USA in Miami.
In In Town (2026), Gittlin captures the vibrant cultural tapestry of the South of France through a sophisticated composition created from her own original photographs taken during her travels.
Fragments of bustling village streets, charming cafés, local markets, historic architecture, and intimate moments of everyday life emerge through layers of rich blue textures. Each photographic image becomes a visual memory, revealing the distinctive character and timeless charm of southern France.
The interplay between photographic realism and abstract surfaces creates a dynamic dialogue between observation and recollection. Rather than presenting a conventional landscape, Gittlin reconstructs the experience of place through a collection of moments, transforming personal memories into a contemporary visual narrative.
In Town celebrates the beauty of discovery, the rhythm of European life, and the extraordinary stories hidden within ordinary moments.

Evangeline Ang is a contemporary artist from Singapore whose distinctive artistic practice explores the relationship between texture, color, movement, and emotional expression. Through her innovative approach to abstraction, she creates richly layered compositions that invite viewers to experience the dynamic interplay between material, light, and form.
Her work is characterized by intricate textures, rhythmic patterns, and sophisticated color harmonies, transforming each canvas into an immersive visual experience.
Recognized for her artistic vision, Ang was a finalist for the Angelico Art Award in 2022. Her work has been presented internationally, including at Affordable Art Fair Singapore, Art Wynwood Miami, and Bergdorf Goodman in New York.
Represented in the United States by Contemporary Art Gallery USA, Ang continues to expand her international presence, attracting the attention of collectors through her distinctive contemporary artistic language.
Artist Statement — ZEAL
Zeal is a captivating exploration of energy, passion, and the extraordinary vitality of the human spirit. Through a mesmerizing composition of intricate textures and vibrant shades of blue, Evangeline Ang transforms abstraction into a powerful visual expression of movement, emotion, and inner strength.
The artwork's organic, almost celestial form appears to expand and evolve across the canvas, suggesting an infinite universe of possibilities. Its richly textured surface creates a rhythmic interplay of depth and movement, inviting viewers to discover subtle variations of light, shadow, and color within its intricate layers.
The luminous palette, ranging from deep cobalt and electric blue to delicate turquoise and icy highlights, evokes both the mysterious depths of the ocean and the boundless energy of the cosmos. This duality establishes a poetic connection between the natural world and the intangible forces that shape human experience.
At the heart of Zeal lies the concept of passion as a driving force for transformation. The dynamic convergence of countless delicate marks symbolizes perseverance, determination, and the collective energy required to create something extraordinary.
Through her masterful manipulation of texture and color, Ang achieves a delicate balance between intensity and serenity, complexity and harmony. The composition appears almost alive, revealing new dimensions as the viewer's perspective shifts.
Ultimately, Zeal is a celebration of passion, resilience, and the limitless potential of the human spirit. It invites viewers to embrace the beauty of ambition, the strength of determination, and the transformative energy that emerges when creativity and purpose

Sublime Light Series/ Where artistic vision meets contemporary expression.
Born in El Salvador, Evelyn is a multidisciplinary artist and photographer whose artistic journey is deeply rooted in her lifelong fascination with nature, light, and the visual arts. Her creative exploration began with traditional media, including oil painting, acrylics, pastels, and metal embossing, before evolving into fine art photography.
Having lived in Europe, Asia, and the Americas, Evelyn has developed a distinctive artistic perspective shaped by diverse cultures and environments. An alumna of the prestigious Nanyang Academy of Fine Arts in Singapore, she participated in the group exhibition An Impression, presenting works created through woodblock printing, etching, and intaglio techniques.
In her compelling series, Sublime Light, Evelyn explores the delicate relationship between nature, light, and the passage of time. Employing Lumen printing, an experimental camera-less photographic process that uses natural sunlight and photosensitive paper, she transforms botanical elements into ethereal compositions that transcend conventional photography.
By intentionally avoiding chemical fixing and digital manipulation, Evelyn embraces the organic evolution and unpredictable nature of each image, allowing light itself to become both the medium and the subject of her artistic expression.
Each composition becomes a visual meditation on impermanence, transformation, and the fragile beauty of existence. Through subtle tonal variations, intricate textures, and luminous botanical forms, Evelyn invites viewers into an intimate dialogue with nature, revealing the extraordinary poetry concealed within its most ephemeral moments.
Sublime Light is ultimately a celebration of nature's quiet elegance—a profound exploration of the invisible connections between light, memory, and the passage of time.

Born in Miami, Florida, Jolie Dueñas is an American contemporary artist whose vibrant paintings celebrate the relationship between color, nature, pattern, and the emotional qualities of everyday life.
Working primarily in acrylic on canvas, Dueñas has developed a distinctive artistic language characterized by bold color combinations, stylized botanical forms, geometric arrangements, and playful compositions. Influenced by Miami's tropical environment, Caribbean aesthetics, popular culture, and decorative traditions, her work balances spontaneity with structure, creating a dialogue between contemporary fine art and design.
Her artistic practice explores the contrast between organic expression and geometric precision, particularly through her Pots & Plants and Linear series.
Dueñas has exhibited at CONTEXT Art Miami, Art Palm Beach, Art Santa Fe, and Affordable Art Fair New York. Her work is held in private collections in the United States and internationally.
She is represented by Contemporary Art Gallery USA, Miami.
Artwork Statement
La Casita
In La Casita, Jolie Dueñas creates a vibrant celebration of domestic intimacy, nature, and the emotional significance of home. Through a sophisticated interplay of bold colors, ornamental patterns, and stylized botanical arrangements, the artist transforms an intimate interior into an expressive visual narrative.
Three exuberant floral compositions dominate the foreground, their richly decorated vessels introducing a dialogue between organic forms and geometric structure. The delicate pink background, adorned with rhythmic floral motifs, contrasts with the vivid yellow and red checkered table, establishing a captivating balance between harmony and visual energy.
An arched blue window opens toward a quiet natural landscape, suggesting a connection between the comfort of the interior and the world beyond. Small, carefully selected decorative objects contribute to an atmosphere of nostalgia, familiarity, and personal storytelling.
Drawing upon the visual traditions of folk art, contemporary decorative painting, and tropical aesthetics, Dueñas creates a composition that feels simultaneously playful and deeply personal.
La Casita is more than a representation of a domestic space; it is a poetic celebration of belonging, memory, and the beauty found in the ordinary.
Through her distinctive use of color, pattern, and symbolism, Jolie Dueñas invites viewers into a world where nature and domestic life coexist in joyful harmony, transforming an everyday setting into a contemporary expression of warmth, identity, and emotional connection.

Born in Caracas, Venezuela, in 1969, Moises Morgenstern is a Miami-based contemporary sculptor whose artistic practice explores the relationship between geometry, movement, light, and human perception. Growing up in a creative family, with influences from architecture, jewelry design, and photography, Morgenstern developed a distinctive visual language that combines artistic expression with technical precision. Primarily self-taught in sculpture and metal fabrication, his work transforms industrial materials into compelling contemporary compositions.
In his new sculptural installation, Geometric Echoes, from the CAPAS series, Morgenstern explores the dynamic relationship between geometric forms, spatial dimensions, and the perception of depth.
Through the interplay of overlapping layers, repetition, and carefully balanced structures, the installation creates a captivating visual rhythm in which geometry appears to expand beyond its physical boundaries. Light and shadow become essential elements, transforming the composition as viewers move around it.
Geometric Echoes invites audiences to experience sculpture as an evolving dialogue between structure, movement, and space. Each layer becomes an echo of the next, symbolizing connection, transformation, and the infinite possibilities of geometric abstraction.