With "Turandot," Marianne Sucre continues to establish herself as a leading figure in the art
world, pushing boundaries and redefining how art can engage with both narrative and viewer,
ultimately transforming the way we perceive the intersections of life, love, and reality.

"While the interaction between music and painting has been a constant and abundant element throughout the development of the visual arts, here we seek an intersection of artistic languages through a connection between a musical work, whose central characteristic is undoubtedly the profusion of images, both suggested and idealized by viewers and creators. We have focused on the line of thought of Hegel, searching for those aesthetic signs or symbols that connect both visual and musical languages, united by a history that opens a creative window from the aesthetic of Lacanian psychoanalysis. We understand that the search for those symbols or symbolic languages that may emerge in a creative context could result in crossing that line through intuition, finding in metaphor a form of non-literal art. It could become a hybrid where the resulting work from each artist is unique and can be shared with the viewer. It would be about thinking of a materialization of emotionality, of what leads to a production that is initially imaginary and then embodied in inspiration—stepping out of the comfort zone, creating from an unknown place; drifting in the search to transmit the dialogue between the work and its creator.

‘What is shown by concealing remains concealed behind a showing, but it does not conceal by hiding, rather it shows something else which it passes off as that which it covers.’ —Martin Heidegger"

"While the interaction between music and painting has been a constant and abundant element throughout the development of the visual arts, here we seek an intersection of artistic languages through a connection between a musical work, whose central characteristic is undoubtedly the profusion of images, both suggested and idealized by viewers and creators. We have focused on the line of thought of Hegel, searching for those aesthetic signs or symbols that connect both visual and musical languages, united by a history that opens a creative window from the aesthetic of Lacanian psychoanalysis. We understand that the search for those symbols or symbolic languages that may emerge in a creative context could result in crossing that line through intuition, finding in metaphor a form of non-literal art. It could become a hybrid where the resulting work from each artist is unique and can be shared with the viewer. It would be about thinking of a materialization of emotionality, of what leads to a production that is initially imaginary and then embodied in inspiration—stepping out of the comfort zone, creating from an unknown place; drifting in the search to transmit the dialogue between the work and its creator.
Lic. Cristina de la Vega
AC Latin Art Director

‘What is shown by concealing remains concealed behind a showing, but it does not conceal by hiding, rather it shows something else which it passes off as that which it covers.’ —Martin Heidegger"

"While the interaction between music and painting has been a constant and abundant element throughout the development of the visual arts, here we seek an intersection of artistic languages through a connection between a musical work, whose central characteristic is undoubtedly the profusion of images, both suggested and idealized by viewers and creators. We have focused on the line of thought of Hegel, searching for those aesthetic signs or symbols that connect both visual and musical languages, united by a history that opens a creative window from the aesthetic of Lacanian psychoanalysis. We understand that the search for those symbols or symbolic languages that may emerge in a creative context could result in crossing that line through intuition, finding in metaphor a form of non-literal art. It could become a hybrid where the resulting work from each artist is unique and can be shared with the viewer. It would be about thinking of a materialization of emotionality, of what leads to a production that is initially imaginary and then embodied in inspiration—stepping out of the comfort zone, creating from an unknown place; drifting in the search to transmit the dialogue between the work and its creator.
Lic. Cristina de la Vega
AC Latin Art Director

‘What is shown by concealing remains concealed behind a showing, but it does not conceal by hiding, rather it shows something else which it passes off as that which it covers.’ —Martin Heidegger"

The proposal is 3 paintings, 60 cm wide x 160 cm high or 2 of 60 x 120 and one of 60 x 160, representing Turandot in the three facets of the three enigmas that it proposes: “The first is: "In the dark night an iridescent ghost flies. It rises and spreads its wings over black and infinite humanity. Everyone invokes it and everyone implores it, but the ghost disappears with the dawn to be reborn in the heart. And every night it is born and every day it dies! ". The painting, in the nocturnal tones proposed by the opera, dark background, iridescent touches in the texture of wings in the background, dark dress, leaf, line, red touches.

The proposal is 3 paintings, 60 cm wide x 160 cm high or 2 of 60 x 120 and one of 60 x 160, representing Turandot in the three facets of the three enigmas that it proposes: “The first is: "In the dark night an iridescent ghost flies. It rises and spreads its wings over black and infinite humanity. Everyone invokes it and everyone implores it, but the ghost disappears with the dawn to be reborn in the heart. And every night it is born and every day it dies! ". The painting, in the nocturnal tones proposed by the opera, dark background, iridescent touches in the texture of wings in the background, dark dress, leaf, line, red touches.

Buildings to the cities, trough symbology that maintain, memory, emotions, acumulated knowledge
turns into a challenging form of material, a demanding form of an impossible emphaty.
Interpertation of an idea. Chronology of human identity

"While the interaction between music and painting has been a constant and abundant element throughout the development of the visual arts, here we seek an intersection of artistic languages through a connection between a musical work, whose central characteristic is undoubtedly the profusion of images, both suggested and idealized by viewers and creators. We have focused on the line of thought of Hegel, searching for those aesthetic signs or symbols that connect both visual and musical languages, united by a history that opens a creative window from the aesthetic of Lacanian psychoanalysis. We understand that the search for those symbols or symbolic languages that may emerge in a creative context could result in crossing that line through intuition, finding in metaphor a form of non-literal art. It could become a hybrid where the resulting work from each artist is unique and can be shared with the viewer. It would be about thinking of a materialization of emotionality, of what leads to a production that is initially imaginary and then embodied in inspiration—stepping out of the comfort zone, creating from an unknown place; drifting in the search to transmit the dialogue between the work and its creator.
Lic. Cristina de la Vega
AC Latin Art - Director

‘What is shown by concealing remains concealed behind a showing, but it does not conceal by hiding, rather it shows something else which it passes off as that which it covers.’ —Martin Heidegger"