AC Latin Art


San Mateo 3761
Buenos Aires 1425 Buenos Aires
Argentina
Phone: +54-11-3343-5606
Mobile Ph: +1 786 6959439
Email : [email protected]
URL : www.accontemart.com

Maria Cecilia Maguire

Maria Cristina de la Vega (Owner)


About

AC Contemporary Art is embedded in the art market in Argentina since 2004. Fairs presenting us in international art.
Our proposal seeks to show sections of the new Argentine art, some of the many artistic expressions of young artists whose works seek techniques and materials are varied, a mapping of Buenos Aires, without thereby be subject. We understand the international art fairs as a large window display and a great opportunity for our most outstanding and creative artists.

Silvia Salvagno Arenas IV

Almudena Fernandez Vicens Holding Stillness

Dalia Berlin Menina Postura

Soledad Bence Senderos y cuentos

Marianela Perez Origami

About the Artist

Arenas is the result of a two-year research project that began after I moved to Portugal. As the series continues to evolve and develop, I felt it was time to share it and initiate the fruitful process of retrofeeding, which results from the interaction of the art with the spectator —a process likely to cause it to expand and grow.

On one side, I developed this work with the intent of bringing nature itself to the canvas and letting her co-create with the pigments, inks, and water in a harmonious dance. On the other hand, there’s a deeper layer of meaning and reflection on the ever-changing nature of life and our human ability to adapt and reinvent ourselves in response to that continuous change.

Nature and life itself, in their breathtaking beauty and fleeting ephemerality, are the constant sources of inspiration for my work. Since I first arrived by the sea, I have been captivated by its endless energy, vibrant life, and the ever-changing colors that shift with the passing hours, days, and seasons.

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In Holding Stillness, Almudena Fernandez Vicens uses
gauze, plaster, gesso and soft washes of pigments weaving
texture and emotion into a tactile meditation on our inner
worlds and the silent strength required to carry them. The
muted, sculpted surface evokes a vessel-like form—how we
carry stories, thoughts, and quiet storms beneath the skin. A
tender reflection on transformation, memory, and the quiet
resilience of stillness.
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Dalia Berlin is a multidisciplinary artist drawn to the poetic collision of material, memory, and metaphor. Her work explores the tactile language of mixed media, where the hand intervenes — cutting, layering, shaping — to create intimate spaces that feel both familiar and dreamlike.

Whether working on two-dimensional surfaces or sculptural forms, Berlin blends fragments from the past with global cultural symbols, infusing each piece with a quiet surrealism. Her process is intuitive, guided more by feeling than plan — a dance between control and spontaneity.
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In Soledad Bence’s work, painting becomes a territory of emotional and perceptual expansion. Each gesture is a trace of movement, a record of the instant that transforms the surface into a field of resonances. Her pictorial language, close to lyrical abstraction, unfolds between the spontaneity of gesture and a chromatic sensitivity that seems to breathe from intuition.
Bence approaches paint as a form of free writing — an interweaving of impulses, pauses, and repetitions that create an inner rhythm, almost musical. There is no dominant figure, but rather a continuous flow in which the visual approaches the sonic, and the gaze becomes a way of perceiving the vibration of color.
Through the layering of paint, the alternation of firm strokes and translucent passages, she constructs a space where emotion takes form. Her painting does not seek to represent, but to invoke — the energy of movement, the memory of what remains unspoken, the freedom of the pictorial act as a vital experience.
Lic. Cristina de la Vega
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Series Origami, 2024

In her Origami series, Marianela Pérez translates the subtlety of folding into the realm of metal. Inspired by the ancient Japanese art of transforming a sheet of paper into form, the artist reverses the logic of material: fragility becomes solidity, and the delicate gesture turns into technical precision. Galvanized steel, coated with layers of automotive paint, transforms into a surface that evokes the smoothness of paper yet asserts itself as a sculptural body.

Color —vibrant, reflective, and carefully chosen— heightens the tension between the industrial and the poetic. Each piece stands as a synthesis of geometry and emotion, of calculation and the suspended movement of a fold. Within that intersection, Pérez invites us to contemplate the paradox of a contemporary origami: lightness turned into permanence, the memory of gesture solidified into matter.
Lic. Cristina de la Vega
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