Galerie LeRoyer
162 Cumberland St.
Yorkville Lane
Ontario
M5R 1A8
Toronto
Canada
Phone: (416) 944-1351
Email : info@galerieleroyer.com
URL : www.galerieleroyer.com/
60 Saint-Paul W.
Quebec
H2Y1Y8
Montreal
Canada
Phone: 514-287-1351
Email : info@galerieleroyer.com
URL : www.galerieleroyer.com
Brian Brisson
Alexandra Conners
Olivier Grandin
About
At 18 years old, Brian Brisson discovered his passion for the art world, quit school and, assisted by a strong sense for entrepreneurship, founded his first gallery, Galerie Saint-Dizier, in 1995 at the age of 24.
Galerie LeRoyer followed in 2000, also on Saint-Paul Street, and has subsequently expanded throughout the years.
Brian Brisson is actively involved in the neighbourhood’s development, in 2006, with the colaboration of the city of Montreal he gave new life to a forgotten space in old Montreal, with the loan of the bronze sculpture “Les Chuchoteuses” by Franco-Ontarian artist Rose-Aimée Bélanger and the installation of a public bench, which became known as “Placette Saint-Dizier”. The merger of the Saint-Dizier and LeRoyer galleries in spring 2017 enabled Galerie LeRoyer to double the exhibition space afforded to its artists, focus on its vision and gain a permanent space for vernissages and events.
About the Artist
Satirical and ironic, Stikki Peaches’ works invite you to pause, analyze, and will likely leave you feeling nostalgic. Originally from Montreal, his singular style is as popular in galleries as it is on the walls of the world’s busiest metropolises. His father is a tailor and his mother a designer, Stikki Peaches’ first creative endeavors were in fashion design, an industry that deeply influenced his artistic practice. As a child, he was surrounded by sketches and drafting patterns, which he happily collected, reassembled, and transformed with paint and pencils. His style is rooted in this spirit of reusing and recycling, where a myriad of techniques are combined to reveal the influential figures of his childhood. His vibrant compositions feature mythical characters, political leaders, and cultural icons: Batman, Elvis Presley, and Mozart coexist, creating a startling juxtaposition of themes and aesthetics.
Stikki Peaches sees art as an escape, an outlet that allows him to move away from what hinders his growth as an artist and as a human. His tagline “What if Art Ruled the World?” fits this context. This question echoes the artist’s stance, suggesting that conflicts and disasters affecting our society would have no basis if the world were governed by art. Through his works, Stikki Peaches invites the onlooker to contemplate the effect and importance of art. His practice aims ultimately to democratize it: by taking his practice to the streets and incorporating pop culture references, Stikki Peaches distances himself from elitism and abstruseness often associated with the contemporary art world. Striking, colorful, and iconic, his pieces are well-suited to digital culture, which values bold visual content.
The Montreal-based artist’s works are found in various private collections in the United-States, Europe, and Canada. Since 2013, Peaches steps out of the studio to participate in MURALFest, an annual event celebrating graffiti art in Montreal. In 2016, his piece entitled MO.Z. was selected to adorn Romeo Gin’s first edition of bottles. His works were also featured during a special event at the Musée National des Beaux-Arts du Québec.
Satirical and ironic, Stikki Peaches’ works invite you to pause, analyze, and will likely leave you feeling nostalgic. Originally from Montreal, his singular style is as popular in galleries as it is on the walls of the world’s busiest metropolises. His father is a tailor and his mother a designer, Stikki Peaches’ first creative endeavors were in fashion design, an industry that deeply influenced his artistic practice. As a child, he was surrounded by sketches and drafting patterns, which he happily collected, reassembled, and transformed with paint and pencils. His style is rooted in this spirit of reusing and recycling, where a myriad of techniques are combined to reveal the influential figures of his childhood. His vibrant compositions feature mythical characters, political leaders, and cultural icons: Batman, Elvis Presley, and Mozart coexist, creating a startling juxtaposition of themes and aesthetics.
Stikki Peaches sees art as an escape, an outlet that allows him to move away from what hinders his growth as an artist and as a human. His tagline “What if Art Ruled the World?” fits this context. This question echoes the artist’s stance, suggesting that conflicts and disasters affecting our society would have no basis if the world were governed by art. Through his works, Stikki Peaches invites the onlooker to contemplate the effect and importance of art. His practice aims ultimately to democratize it: by taking his practice to the streets and incorporating pop culture references, Stikki Peaches distances himself from elitism and abstruseness often associated with the contemporary art world. Striking, colorful, and iconic, his pieces are well-suited to digital culture, which values bold visual content.
The Montreal-based artist’s works are found in various private collections in the United-States, Europe, and Canada. Since 2013, Peaches steps out of the studio to participate in MURALFest, an annual event celebrating graffiti art in Montreal. In 2016, his piece entitled MO.Z. was selected to adorn Romeo Gin’s first edition of bottles. His works were also featured during a special event at the Musée National des Beaux-Arts du Québec.
Satirical and ironic, Stikki Peaches’ works invite you to pause, analyze, and will likely leave you feeling nostalgic. Originally from Montreal, his singular style is as popular in galleries as it is on the walls of the world’s busiest metropolises. His father is a tailor and his mother a designer, Stikki Peaches’ first creative endeavors were in fashion design, an industry that deeply influenced his artistic practice. As a child, he was surrounded by sketches and drafting patterns, which he happily collected, reassembled, and transformed with paint and pencils. His style is rooted in this spirit of reusing and recycling, where a myriad of techniques are combined to reveal the influential figures of his childhood. His vibrant compositions feature mythical characters, political leaders, and cultural icons: Batman, Elvis Presley, and Mozart coexist, creating a startling juxtaposition of themes and aesthetics.
Stikki Peaches sees art as an escape, an outlet that allows him to move away from what hinders his growth as an artist and as a human. His tagline “What if Art Ruled the World?” fits this context. This question echoes the artist’s stance, suggesting that conflicts and disasters affecting our society would have no basis if the world were governed by art. Through his works, Stikki Peaches invites the onlooker to contemplate the effect and importance of art. His practice aims ultimately to democratize it: by taking his practice to the streets and incorporating pop culture references, Stikki Peaches distances himself from elitism and abstruseness often associated with the contemporary art world. Striking, colorful, and iconic, his pieces are well-suited to digital culture, which values bold visual content.
The Montreal-based artist’s works are found in various private collections in the United-States, Europe, and Canada. Since 2013, Peaches steps out of the studio to participate in MURALFest, an annual event celebrating graffiti art in Montreal. In 2016, his piece entitled MO.Z. was selected to adorn Romeo Gin’s first edition of bottles. His works were also featured during a special event at the Musée National des Beaux-Arts du Québec.
Satirical and ironic, Stikki Peaches’ works invite you to pause, analyze, and will likely leave you feeling nostalgic. Originally from Montreal, his singular style is as popular in galleries as it is on the walls of the world’s busiest metropolises. His father is a tailor and his mother a designer, Stikki Peaches’ first creative endeavors were in fashion design, an industry that deeply influenced his artistic practice. As a child, he was surrounded by sketches and drafting patterns, which he happily collected, reassembled, and transformed with paint and pencils. His style is rooted in this spirit of reusing and recycling, where a myriad of techniques are combined to reveal the influential figures of his childhood. His vibrant compositions feature mythical characters, political leaders, and cultural icons: Batman, Elvis Presley, and Mozart coexist, creating a startling juxtaposition of themes and aesthetics.
Stikki Peaches sees art as an escape, an outlet that allows him to move away from what hinders his growth as an artist and as a human. His tagline “What if Art Ruled the World?” fits this context. This question echoes the artist’s stance, suggesting that conflicts and disasters affecting our society would have no basis if the world were governed by art. Through his works, Stikki Peaches invites the onlooker to contemplate the effect and importance of art. His practice aims ultimately to democratize it: by taking his practice to the streets and incorporating pop culture references, Stikki Peaches distances himself from elitism and abstruseness often associated with the contemporary art world. Striking, colorful, and iconic, his pieces are well-suited to digital culture, which values bold visual content.
The Montreal-based artist’s works are found in various private collections in the United-States, Europe, and Canada. Since 2013, Peaches steps out of the studio to participate in MURALFest, an annual event celebrating graffiti art in Montreal. In 2016, his piece entitled MO.Z. was selected to adorn Romeo Gin’s first edition of bottles. His works were also featured during a special event at the Musée National des Beaux-Arts du Québec.
Satirical and ironic, Stikki Peaches’ works invite you to pause, analyze, and will likely leave you feeling nostalgic. Originally from Montreal, his singular style is as popular in galleries as it is on the walls of the world’s busiest metropolises. His father is a tailor and his mother a designer, Stikki Peaches’ first creative endeavors were in fashion design, an industry that deeply influenced his artistic practice. As a child, he was surrounded by sketches and drafting patterns, which he happily collected, reassembled, and transformed with paint and pencils. His style is rooted in this spirit of reusing and recycling, where a myriad of techniques are combined to reveal the influential figures of his childhood. His vibrant compositions feature mythical characters, political leaders, and cultural icons: Batman, Elvis Presley, and Mozart coexist, creating a startling juxtaposition of themes and aesthetics.
Stikki Peaches sees art as an escape, an outlet that allows him to move away from what hinders his growth as an artist and as a human. His tagline “What if Art Ruled the World?” fits this context. This question echoes the artist’s stance, suggesting that conflicts and disasters affecting our society would have no basis if the world were governed by art. Through his works, Stikki Peaches invites the onlooker to contemplate the effect and importance of art. His practice aims ultimately to democratize it: by taking his practice to the streets and incorporating pop culture references, Stikki Peaches distances himself from elitism and abstruseness often associated with the contemporary art world. Striking, colorful, and iconic, his pieces are well-suited to digital culture, which values bold visual content.
The Montreal-based artist’s works are found in various private collections in the United-States, Europe, and Canada. Since 2013, Peaches steps out of the studio to participate in MURALFest, an annual event celebrating graffiti art in Montreal. In 2016, his piece entitled MO.Z. was selected to adorn Romeo Gin’s first edition of bottles. His works were also featured during a special event at the Musée National des Beaux-Arts du Québec.
Satirical and ironic, Stikki Peaches’ works invite you to pause, analyze, and will likely leave you feeling nostalgic. Originally from Montreal, his singular style is as popular in galleries as it is on the walls of the world’s busiest metropolises. His father is a tailor and his mother a designer, Stikki Peaches’ first creative endeavors were in fashion design, an industry that deeply influenced his artistic practice. As a child, he was surrounded by sketches and drafting patterns, which he happily collected, reassembled, and transformed with paint and pencils. His style is rooted in this spirit of reusing and recycling, where a myriad of techniques are combined to reveal the influential figures of his childhood. His vibrant compositions feature mythical characters, political leaders, and cultural icons: Batman, Elvis Presley, and Mozart coexist, creating a startling juxtaposition of themes and aesthetics.
Stikki Peaches sees art as an escape, an outlet that allows him to move away from what hinders his growth as an artist and as a human. His tagline “What if Art Ruled the World?” fits this context. This question echoes the artist’s stance, suggesting that conflicts and disasters affecting our society would have no basis if the world were governed by art. Through his works, Stikki Peaches invites the onlooker to contemplate the effect and importance of art. His practice aims ultimately to democratize it: by taking his practice to the streets and incorporating pop culture references, Stikki Peaches distances himself from elitism and abstruseness often associated with the contemporary art world. Striking, colorful, and iconic, his pieces are well-suited to digital culture, which values bold visual content.
The Montreal-based artist’s works are found in various private collections in the United-States, Europe, and Canada. Since 2013, Peaches steps out of the studio to participate in MURALFest, an annual event celebrating graffiti art in Montreal. In 2016, his piece entitled MO.Z. was selected to adorn Romeo Gin’s first edition of bottles. His works were also featured during a special event at the Musée National des Beaux-Arts du Québec.
Exhibiting Artists
Other Represented Artists